The mention of the possibility of some of the articles found in the
tomb being family heirlooms of the XVIIIth Dynasty brings up the last
question with which it is necessary to deal in this short survey.
How does it come about that a Pharaoh of no great standing in the
long line of Egyptian monarchs--a mere stopgap king, a pigmy between
giants--was buried with surroundings whose splendour exceeds anything
known in all the story of royal magnificence? The discoveries of
Tutankhamen’s wonderful funerary equipment make us wonder what we may
have lost in the fact that his is the only royal tomb which has been
found practically unrifled. Had we found, for instance, the tomb of
a really great Pharaoh, such as Amenhotep III, as intact as that of
his descendant, we should have been in a better position to form a
judgment on the matter; but that unfortunately has been denied us.
One suggestion may be made, with the proviso that it is no more than
a suggestion, which may be confirmed or disproved by subsequent
investigation. It has already been suggested that some of the most
curious, if not the most beautiful, of the finds are relics, not of the
time of Tutankhamen, but of Amenhotep III, dating therefore from forty
years before the time when they were stored away in the Valley of the
Kings; and it has also been suggested that another very interesting
article, the footstool with figures of Asiatic captives inlaid upon
it, dates from an even earlier period, that of Amenhotep II, and is
therefore a century older than the time to which the burial belongs.
Tutankhamen, we know, was the last king of the direct line of the
XVIIIth Dynasty. His widow, Ankh. s. en. Amen, was left in a most
insecure position from which she made, as we know, a desperate and
unavailing effort to extricate herself. May it not be that, with the
consciousness that all the glories of her house were in danger of
passing to mere usurpers of undistinguished origin, such as the obscure
priest Ay, who succeeded Tutankhamen, or the commonplace soldier
Horemheb, who drove Ay from the throne, she secured at least some of
the most treasured heirlooms of the royal house from desecration by
hiding them in the tomb of her dead husband?
It is, of course, only an idea, which must stand or fall by the results
of future study; but it seems, at least in the meantime, to offer a
reasonable explanation of a point on which no other explanation is for
the present forthcoming.
CHAPTER VIII
LIFE, ARTS, AND CRAFTS IN THE LAND OF THE NILE
Public-domain text, read in full here on John Shaqi.
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