And Kimberly, without stopping, went on with his narration:
"Outside, the street became more silent, because deserted. From the
Thames came, muffled by the distance, the distracted voices of sirens,
the gasping voices of marine boilers. It was the hour when the two
friends, giving themselves over to dreaming, preserved an ineffable
silence."
"Oh! I see them so clearly!" said Madame Tiercelet, in a tone of
admiration.
"And that 'ineffable,' how evocative it is!" applauded the Countess
Fergus, "and so pure!"
Kimberly profited by these flattering interruptions to take a swallow
of champagne. Then, feeling that he was listened to with more
passionate attention than before, he repeated:
"Preserved an ineffable silence. But on this special evening
John-Giotto Farfadetti murmured: 'I have a poisoned flower in my
heart.' To which Frederic-Ossian Pinggleton answered: 'This evening
a sorrowful bird has been singing in my heart.' The studio seemed
moved by this unusual colloquy. On the mauve wall, which was gradually
losing its color, the gold algæ seemed to spread and contract, and
to spread and contract again, in harmony with the new rhythms of an
unusual undulation, for it is certain that the soul of man communicates
to the soul of things its troubles, its passions, its fervors, its
transgressions, its life."
"How true that is!"
This cry, coming from several mouths at once, did not prevent Kimberly
from going on with the recital, which thenceforth was to unfold itself
amid the silent emotion of his hearers. His voice became even more
mysterious.
Public-domain text, read in full here on John Shaqi.
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