And the house is not so much after all. There is really no reason to
be so proud of it. The exterior, to be sure, with the great clusters
of trees that sumptuously frame it and the gardens that descend to the
river in gentle slopes, ornamented with broad rectangular lawns, gives
an impression of some importance. But within it is sad, old, rickety,
and has a musty smell. I do not understand how they can live in it.
Nothing but rats' nests, break-neck wooden stairways, whose warped
steps tremble and creak beneath your feet; low and dark passage-ways,
whose floors, instead of being covered with soft carpets, consist of
badly-laid tiles, of a faded red color, and glazed, glazed, slippery,
slippery. The too thin partitions, made of too dry planks, make the
chambers as sonorous as the inside of a violin. Oh! it is all hollow
and provincial. It surely is not furnished in the Paris fashion. In
all the rooms old mahogany, old worm-eaten stuffs, old worn-out faded
rugs, and arm-chairs and sofas, ridiculously stiff, without springs,
worm-eaten, and rickety. How they must grind one's shoulders! Really,
I, who am so fond of light-colored hangings, broad elastic divans,
where one can stretch voluptuously on heaps of cushions, and all these
pretty modern furnishings, so luxurious, so rich, and so gay,--I feel
utterly saddened by the gloomy sadness of these. And I am afraid that
I shall never get accustomed to such an absence of comfort, to such a
lack of elegance, to so much old dust and so many dead forms.
Nor is Madame dressed in Parisian fashion. She is lacking in style,
and is unacquainted with the great dressmakers. She is somewhat of a
fright, as they say. Although she shows a certain pretension in her
costumes, she is at least ten years behind the fashion. And what a
fashion! Still, she would not be bad-looking, if she chose not to be;
at least, she would not be too bad-looking. Her worst fault is that
she awakens in you no sympathy,--that she is a woman in nothing. But
she has regular features, pretty hair naturally blonde, and a beautiful
skin; in fact, she has too much color, as if she were suffering from
some internal malady. I know this type of woman, and I am not to be
deceived by the brilliancy of their complexion. They are pink on
the surface, yes, but within they are rotten. They cannot stand up
straight, they cannot walk, they cannot live, except by the aid of
girdles, trusses, pessaries, and a whole collection of secret horrors
and complex mechanisms. Which does not prevent them from making a show
in society. Yes, indeed, they are coquettish, if you please; they flirt
in the corners, they exhibit their painted flesh, they ogle, they
wiggle; and yet they are fit for nothing but preservation in alcohol.
Oh! misfortune! One has but little satisfaction with them, I assure
you, and it is not always agreeable to be in their service.
Public-domain text, read in full here on John Shaqi.
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