In the evening, as I was setting the table, Monsieur entered the
dining-room. He had just returned from a hunt. He is a very tall man,
with broad shoulders, a heavy black moustache, and a dull complexion.
His manners are a little heavy and awkward, but he seems good-natured.
Evidently he is not a man of genius, like M. Jules Lemaître, whom
I have so often served in the Rue Christophe-Colomb, or a man of
elegance, like M. de Janzé. Ah, M. de Janzé! There was a man for
you! Yet he is sympathetic. His thick and curly hair, his bull neck,
his calves that look like a wrestler's, his thick, intensely red,
and smiling lips, testify to his strength and good humor. He is not
indifferent. That I saw directly from his mobile, sniffing, sensual
nose, and from his extremely brilliant eyes, which are at once gentle
and fun-loving. Never, I think, have I met a human being with such
eyebrows, thick to the point of obscenity, and with so hairy hands.
Like most men of little intelligence and great muscular development, he
is very timid.
He surveyed me with a very queer air, an air in which there was
kindness, surprise, and satisfaction,--something also of salaciousness,
but without impudence, something of an undressing look, but without
brutality. It is evident that Monsieur is not accustomed to such
chambermaids as I, that I astonish him, and that I have made a
great impression on him at the start. He said to me, with a little
embarrassment:
"Ah! Ah! So you are the new chambermaid?"
I bent forward, slightly lowered my eyes, and then, modest and mutinous
at once, I answered simply, in my gentlest voice:
"Why, yes, Monsieur."
Then he stammered:
"So you have come? That's very good, that's very good."
He would have liked to say something further,--was trying, indeed, to
think of something to say,--but, being neither eloquent or at his ease,
he did not find anything. I was greatly amused at his embarrassment.
But, after a short silence, he asked:
"You come from Paris, like that?"
"Yes, Monsieur."
"That's very good, that's very good."
And growing bolder:
"What is your name?"
"Célestine, Monsieur."
He rubbed his hands,--a mannerism of his,--and went on:
"Célestine. Ah! Ah! that's very good. Not a common name; in fact, a
pretty name. Provided Madame does not oblige you to change it. She has
that mania."
I answered, in a tone of dignified submission:
"I am at Madame's disposition."
"Undoubtedly, undoubtedly. But it is a pretty name."
I almost burst out laughing. Monsieur began to walk up and down the
room; then, suddenly, he sat down in a chair, stretched out his legs,
and, putting into his look something like an apology, and into his
voice something like a prayer, he asked:
"Well, Célestine,--for my part, I shall always call you
Célestine,--will you help me to take off my boots? That does not annoy
you, I hope."
"Certainly not, Monsieur."
"Because, you see, these confounded boots are very difficult to manage;
they come off very hard."
Public-domain text, read in full here on John Shaqi.
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