As a rule, as soon as it comes night, Marianne, under the influence of drink, falls into a state of complete stupefaction. Her brain becomes torpid; her tongue becomes thick; her lips hang and shine like the worn brink of an old well; and she is sad, sad to the point of weeping. I can get nothing out of her but little plaints, little cries, something like the puling of a child. Nevertheless, last night, less drunk than usual, she confided to me, amid never-ending groans, that she is afraid she is in trouble. Well, that caps the climax! My first impulse is to laugh. But soon I feel a keen sorrow,--something like the cutting of a lash in the pit of my stomach. Suppose it were through Joseph? I remember that, on the day of my arrival here, I at once suspected them. But since then nothing has happened to justify this stupid suspicion. On the contrary. No, no, it is impossible. It cannot be. I ask: "You are sure, Marianne?" "Sure? No," she says; "I am only afraid." "And through whom?" She hesitates to answer; then, suddenly, with a sort of pride, she declares: "Through Monsieur." This time I came near bursting with laughter. Marianne, mistaking my laugh for one of admiration, begins to laugh, too. "Yes, yes, through Monsieur," she repeats. "I am going to see Madame Gouin to-morrow." I feel a real pity for this poor woman whose brain is so dark and whose ideas are so obscure. Oh! how melancholy and lamentable she is! And what is going to happen to her now? An extraordinary thing,--love has given her no radiance, no grace. She has not that halo of light with which voluptuousness surrounds the ugliest faces. She has remained the same,--heavy, flabby, lumpy. I left her with a somewhat heavy heart. Now I laugh no more; I will never laugh at Marianne again, and the pity that I feel for her turns into a real and almost painful emotion. But I feel that my emotion especially concerns myself. On returning to my room, I am seized with a sort of shame and great discouragement. One should never reflect upon love. How sad love is at bottom! And what does it leave behind? Ridicule, bitterness, or nothing at all. What remains to me now of Monsieur Jean, whose photograph is on parade on the mantel, in its red plush frame? Nothing, except my disappointment at having loved a vain and heartless imbecile. Can I really have loved this insipid beauty, with his white and unhealthy face, his regulation black mutton-chops, and his hair parted down the middle? This photograph irritates me. I can no longer have continually before me those two stupid eyes that look at me with the unchangeable look of an insolent and servile flunky. Oh! no, let it go to keep company with the others, at the bottom of my trunk, pending the time when I shall make of my more and more detested past a fire of joy and ashes.