And I think of Joseph. Where is he at the present moment? What is he doing? Is he even thinking of me? Undoubtedly he is in the little café. He is looking, discussing, measuring; he is picturing to himself the effect that I shall produce at the bar, before the mirror, amid the dazzling of the glasses and the multi-colored bottles. I wish that I knew Cherbourg, its streets, its squares, its harbor, that I might represent Joseph to myself going and coming, conquering the city as he has conquered me. I turn and turn again in my bed, a little feverish. My thought goes from the forest of Raillon to Cherbourg, from the body of Claire to the little café. And, after a painful period of insomnia, I finally go off to sleep with the stern and severe image of Joseph before my eyes, the motionless image of Joseph outlining itself in the distance against a dark and choppy background, traversed by white masts and red yards. To-day, Sunday, I paid a visit in the afternoon to Joseph's room. The two dogs follow me eagerly. They seem to be asking me where Joseph is. A little iron bed, a large cupboard, a sort of low commode, a table, two chairs, all in white-wood, and a porte-manteau, which a green lustring curtain, running on a rod, protects from the dust,--these constitute the furnishings. Though the room is not luxurious, it is extremely orderly and clean. It has something of the rigidity and austerity of a monk's cell in a convent. On the white-washed walls, between the portraits of Déroulède and General Mercier, holy pictures unframed,--Virgins, an Adoration of the Magi, a Massacre of the Innocents, a view of Paradise. Above the bed a large crucifix of dark wood, serving as a holy-water basin, and barred with a branch of consecrated box.