We are about a mile from the church. The way leading to it is a
pleasant one,--a little path winding between hedges. In spring it must
be full of flowers, wild cherry trees, and the hawthorns that smell
so good. I love the hawthorns. They remind me of things when I was a
little girl. Otherwise the country is like the country everywhere else;
there is nothing astonishing about it. It is a very wide valley, and
then, yonder, at the end of the valley, there are hills. In the valley
there is a river, on the hills there is a forest; all covered with a
veil of fog, transparent and gilded, which hides the landscape too much
to suit me.
Oddly enough, I keep my fidelity to nature as it is in Brittany. I have
it in my blood. Nowhere else does it seem to me as beautiful; nowhere
else does it speak better to my soul. Even among the richest and most
fertile fields of Normandy I am homesick for the moors, and for that
tragic and splendid sea where I was born. And this recollection,
suddenly called up, casts a cloud of melancholy into the gaiety of this
delightful morning.
On the way I meet women and women. With prayer-books under their arms,
they, too, are going to mass,--cooks, chambermaids, and barn-yard
scullions, thick-set and clumsy, and with the slow and swaying
gait of animals. How queerly they are rigged out, in their holiday
garb,--perfect mops. They smell powerfully of the country, and it
is easy to see that they have not served in Paris. They look at me
with curiosity,--a curiosity at once distrustful and sympathetic.
They note enviously, in detail, my hat, my closely-fitting gown, my
little baize jacket, and my umbrella rolled in its green silk cover.
My costume--that of a lady--astonishes them, and especially, I think,
my coquettish and smart way of wearing it. They nudge each other with
their elbows, make enormous eyes, and open their mouths immoderately,
to show each other my luxury and my style. And I go tripping along,
nimbly and lightly, with my pointed shoes, and boldly lifting up my
dress, which makes a sound of rustling silk against the skirts beneath.
What can you expect? For my part, I am glad to be admired.
As they pass by me, I hear them say to each other, in a whisper:
"That is the new chambermaid at the Priory."
One of them, short, fat, red-faced, asthmatic, and who seems to have
great difficulty in carrying an immense paunch on legs widely spread
apart, undoubtedly to the better steady it, approaches me with a smile,
a thick, glutinous smile on her gluttonous lips:
"You are the new chambermaid at the Priory? Your name is Célestine? You
arrived from Paris four days ago?"
She knows everything already. She is familiar with everything, and with
me. And there is nothing about this paunchy body, about this walking
goatskin, that so amuses me as the musketeer hat,--a large, black, felt
hat, whose plumes sway in the breeze.
She continues:
Public-domain text, read in full here on John Shaqi.
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