The mass drags along, and I grow weary. I am especially vexed at
finding myself among people so ordinary and so ugly, and who pay so
little attention to me. Not a pretty spectacle, not a pretty costume
with which to rest my thought or cheer my eyes. Never did I better
understand that I am made for the joy of elegance and style. Instead
of being lifted up, as at mass in Paris, all my senses take offence,
and rebel at once. For distraction, I follow attentively the movements
of the officiating priest. Oh! thank you! he is a sort of tall,
jovial fellow, very young, with an ordinary face, and a brick-red
complexion. With his dishevelled hair, his greedy jaw, his gluttonous
lips, his obscene little eyes, and his eyelids circled with black, I
have sized him up at once. How he must enjoy himself at the table! And
at the confessional, too,--the dirty things that he must say! Rose,
perceiving that I am watching him, bends toward me, and says, in a very
low voice:
"That is the new vicar. I recommend him to you. There is no one like
him to confess the women. The curate is a holy man, certainly, but he
is looked upon as too strict. Whereas the new vicar...."
She clacks her tongue, and goes back to her prayer, her head bent over
the prie-Dieu.
Well, he would not please me, the new vicar; he has a dirty and brutal
air; he looks more like a ploughman than a priest. For my part, I
require delicacy, poetry, the beyond, and white hands. I like men to be
gentle and _chic_, as Monsieur Jean was.
After mass Rose drags me to the grocery store. With a few mysterious
words she explains to me that it is necessary to be on good terms with
the woman who keeps it, and that all the domestics pay her assiduous
court.
Another little dump,--decidedly, this is the country of fat women. Her
face is covered with freckles, and, through her thin, light, flaxen
hair, which is lacking in gloss, can be seen portions of her skull, on
top of which a chignon stands up in a ridiculous fashion, like a little
broom. At the slightest movement her breast, beneath her brown cloth
waist, shakes like a liquid in a bottle. Her eyes, bordered with red
circles, are bloodshot, and her ignoble mouth makes of her every smile
a grimace. Rose introduces me:
"Madame Gouin, I bring you the new chambermaid at the Priory."
The grocer observes me attentively, and I notice that her eyes fasten
themselves upon my waist with an embarrassing obstinacy. She says in a
meaningless voice:
"Mademoiselle is at home here. Mademoiselle is a pretty girl.
Mademoiselle is a Parisienne, undoubtedly?"
"It is true, Madame Gouin, I come from Paris."
"That is to be seen; that is to be seen directly. One need not look at
you twice. I am very fond of the Parisiennes; they know what it is to
live. I too served in Paris, when I was young. I served in the house of
a midwife in the Rue Guénégaud,--Madame Tripier. Perhaps you know her?"
"No."
Public-domain text, read in full here on John Shaqi.
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