M. Rabour's estate was sufficiently large and beautiful. A pretty
house, painted light green, and surrounded by broad lawns adorned with
flowers and by a pine forest which gave forth an odor of turpentine.
I adore the country, but, oddly enough, it makes me sad and sleepy. I
was utterly stupid when I entered the vestibule where the governess was
awaiting me,--she who had engaged me at the Paris employment-bureau,
God knows after how many indiscreet questions as to my private habits
and tastes, which ought to have made me distrustful. But in vain does
one see and endure things stronger and stronger; they never teach you
anything. The governess had not pleased me at the employment-bureau;
here she instantly disgusted me. She seemed to me to have the air
of an old procuress. She was a fat woman, and short, with puffed-up
yellowish flesh, hair brushed flat and turning gray, huge and rolling
breasts, and soft, damp hands as transparent as gelatine. Her grey eyes
indicated wickedness, a cold, calculating, vicious wickedness. The
tranquil and cruel way in which she looked at you, searching soul and
flesh, was almost enough to make you blush.
She escorted me into a little reception-room, and at once left me,
saying that she was going to notify Monsieur, that Monsieur wished to
see me before I should begin my service.
"For Monsieur has not seen you," she added. "I have taken you, it is
true, but then it is necessary that you please Monsieur."
I inspected the room. It was extremely clean and orderly. The brasses,
the furniture, the floor, the doors, thoroughly polished, waxed,
varnished, shone like mirrors. No clap-trap, no heavy hangings, no
embroidered stuffs, such as are seen in certain Paris houses; but
serious comfort, an air of rich decency, of substantial country life,
regular and calm. But my! how tiresome it must be to live here!
Monsieur entered. Oh! the queer man, and how he amused me! Fancy a
little old man, looking as if he had just stepped out of a band-box,
freshly shaven, and as pink as a doll. Very erect, very sprightly,
very inviting, in fact, he hopped about, in walking, like a little
grasshopper in the fields. He saluted me, and then asked, with infinite
politeness:
"What is your name, my child?"
"Célestine, Monsieur."
"Célestine!" he exclaimed. "Célestine? The devil! It is a pretty
name,--that I do not deny,--but too long, my child, much too long. I
will call you Marie, if you are willing. That is a very nice name, too,
and it is short. And besides, I have called all my chambermaids Marie.
It is a habit which it would distress me to abandon. I would rather
abandon the person."
They all have this queer mania of never calling you by your real name.
I was not too much astonished, having already borne all the names of
all the saints in the calendar. He persisted:
"So it will not displease you if I call you Marie? That is agreed, is
it?"
"Why, certainly, Monsieur."
"A pretty girl; good character; very well, very well."
Public-domain text, read in full here on John Shaqi.
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