But yes. Here is a fact, a real fact, a horrible fact, a revealing
fact. I do not invent it; I do not exaggerate it; I did not dream it;
it is exactly as I state it. It is one of Joseph's duties to kill the
chickens, rabbits, and ducks. He kills the ducks by the old Norman
method of burying a pin in their head. He could kill them with a blow,
without giving them pain. But he loves to prolong their suffering by
skilful refinements of torture. He loves to feel their flesh quiver and
their heart beat in his hands; he loves to follow, to count, to hold
in his hands, their suffering, their convulsions, their death. Once I
saw Joseph kill a duck. He held it between his knees. With one hand he
grasped it by the neck, with the other he buried a pin in its head; and
then he turned and turned the pin in the head, with a slow and regular
movement. One would have thought he was grinding coffee. And, as he
turned the pin, Joseph said, with savage joy:
"It is necessary to make it suffer. The more it suffers, the better its
blood will taste."
The animal had freed its wings from Joseph's knees; they were beating,
beating. Its neck, in spite of Joseph's grasp, twisted into a frightful
spiral, and beneath its feathers its flesh heaved. Then Joseph threw
the animal upon the stone floor of the kitchen, and, with elbows on his
knees and chin in his joined palms, he began to follow, with a look of
hideous satisfaction, its bounds, its convulsions, the mad scratching
of its yellow claws upon the floor.
"Stop then, Joseph," I cried. "Kill it at once; it is horrible to make
animals suffer."
And Joseph answered:
"That amuses me. I like to see that."
I recall this memory; I evoke all its sinister details; I hear all
the words that were spoken. And I have a desire, a still more violent
desire, to cry to Joseph:
"It was you who outraged the little Claire in the woods. Yes, yes; I am
sure of it now; it was you, you, you, old pig."
There is no longer any doubt of it; Joseph must be a tremendous
scoundrel. And this opinion that I have of his moral personality,
instead of driving me from him, far from placing a wall of horror
between us, causes me, not to love him perhaps, but to take an enormous
interest in him. It is queer, but I have always had a weakness for
scoundrels. There is something unexpected about them that lashes the
blood,--a special odor that intoxicates you,--something strong and
bitter that attracts you sexually. However infamous scoundrels may be,
they are never as infamous as the respectable people. What annoys me
about Joseph is that he has the reputation, and, to one who does not
know his eyes, the manners, of an honest man. I should like him better
if he were a frank and impudent scoundrel. It is true that he would
lose that halo of mystery, that prestige of the unknown, which moves
and troubles and attracts me--yes, really, attracts me--toward this old
monster.
Public-domain text, read in full here on John Shaqi.
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