E-text prepared by Delphine Lettau, Mary Meehan, and the Online Distributed Proofreading Team (http://www.pgdp.net) from page images generously made available by Internet Archive/American Libraries (http://www.archive.org/details/americana) Note: Project Gutenberg also has the other two volumes of this novel. Volume II: see https://www.gutenberg.org/ebooks/35429 Volume III: see https://www.gutenberg.org/ebooks/35430 Images of the original pages are available through Internet Archive/American Libraries. See http://www.archive.org/details/charmingfellow01trol A CHARMING FELLOW. by FRANCES ELEANOR TROLLOPE, Author of "Aunt Margaret's Trouble," "Mabel's Progress," etc. etc. In Three Volumes. VOL. I. London: Chapman and Hall, 193, Piccadilly. 1876. Charles Dickens and Evans, Crystal Palace Press. A CHARMING FELLOW. CHAPTER I. "To be frank with you, Mr. Diamond, I don't believe Dr. Bodkin understands my son's genius." "I beg your pardon, madam, you said your son's----?" "Genius, sir; the bent of his genius. Algy's is not a mechanical mind." Mrs. Errington slightly tossed her head as she uttered the word "mechanical." Mr. Diamond said "Oh!" and then sat silent. The room was very quiet. The autumn day was fading, and the mingling of twilight and firelight, and the stillness of the scene, were conducive to mute meditation. It was a long, low room, with an uneven floor, a whitewashed ceiling crossed by heavy beams, and one large bow window. It was furnished with the spindle-legged chairs and tables in use in the last century. A crimson drugget covered the floor, and in front of the hearth lay a rug, made of scraps of black and coloured cloth, neatly sewn together in a pattern. Over the high wooden mantelpiece hung, on one side, a faded water-colour sketch of a gentleman, with powdered hair; and on the other, an oval miniature of much later date, which represented a fair, florid young lady, with large languid blue eyes, and a red mouth, somewhat too full-lipped. Notwithstanding the years which had elapsed since the miniature was painted, it was still sufficiently like Mrs. Errington to be recognised for her portrait. There was an old harpsichord in the room, and a few books on hanging shelves. But the only handsome or costly object to be seen were some delicate blue and white china cups and saucers, which glistened from an oaken corner-cupboard; and a large work-box of tortoise-shell, inlaid with mother-of-pearl, lined with amber satin, and fitted with all the implements of needlework, in richly-chased silver. The box, like the china cupboard, stood wide open to display its contents, and was evidently a subject of pride to its possessor. It was entirely incongruous with the rest of the furniture, which, although decent and serviceable, was very plain, and rather scanty.