We must not have King Midas represented as an example of success; he was a failure of an unusually painful kind. Also, he had the ears of an ass. Also (like most other prominent and wealthy persons), he endeavoured to conceal the fact. It was his barber (if I remember right) who had to be treated on a confidential footing with regard to this peculiarity; and his barber, instead of behaving like a go-ahead person of the succeed-at-all-costs school and trying to blackmail King Midas, went away and whispered this splendid piece of society scandal to the reeds, who enjoyed it enormously. It is said that they also whispered it as the winds swayed them to and fro. I look reverently at the portrait of Lord Rothschild; I read reverently about the exploits of Mr. Vanderbilt. I know that I cannot turn everything I touch to gold; but then I also know that I have never tried, having a preference for other substances--such as grass and good wine. I know that these people have certainly succeeded in something; that they have certainly overcome somebody; I know that they are kings in a sense that no men were ever kings before; that they create markets and bestride continents. Yet it always seems to me that there is some small domestic fact that they are hiding, and I have sometimes thought I heard upon the wind the laughter and whisper of the reeds. '_All Things Considered._' JANUARY 13th The Christian ideal has not been tried and found wanting. It has been found difficult; and left untried. '_What's Wrong with the World._' JANUARY 14th The old masters of a healthy madness--Aristophanes or Rabelais or Shakespeare--doubtless had many brushes with the precisians or ascetics of their day, but we cannot but feel that for honest severity and consistent self-maceration they would always have had respect. But what abysses of scorn, inconceivable to any modern, would they have reserved for an aesthetic type and movement which violated morality and did not even find pleasure, which outraged sanity and could not attain to exuberance, which contented itself with the fool's cap without the bells! '_The Defendant._' JANUARY 15th The truth is that all feeble spirits naturally live in the future, because it is featureless; it is a soft job; you can make it what you like. The next age is blank, and I can paint it freshly with my favourite colour. It requires real courage to face the past, because the past is full of facts which cannot be got over; of men certainly wiser than we, and of things done which we could not do. I know I cannot write a poem as good as 'Lycidas.' But it is always easy to say that the particular sort of poetry I can write will be the poetry of the future. '_George Bernard Shaw._' JANUARY 16th