Tommy Rann should not see it, lest he prevail over its beneficent dedication to the Ropers. Truly, as it was, Dicky's resolution was hard to abide by. The thing acquired at such a cost of patience, address, hard flight, and deadly fear was surely his by right--as surely, quite, as the clock had been. And such a thing he might never touch again. But he put by the temptation manfully, and came out by Jerry Gullen's front door. He would look no more on the music box, beautiful as it was: he would convey it to the Ropers before temptation came again. It was not easy to devise likely means. Their door was shut fast, of course. For a little while he favoured the plan of setting the box against the threshold, knocking, and running off. But an opportunity might arise of doing the thing in a way to give him some glimpse of the Ropers' delight, an indulgence he felt entitled to. So he waited a little, listened a little, and at last came out into the street, and loafed. It was near six o'clock, and a smell of bloater hung about Jerry Gullen's door and window; under the raised sash Jerry Gullen, close-cropped and foxy of face, smoked his pipe, sprawled his elbows, and contemplated the world. Dicky, with the music box stowed out of sight, looked as blank of design and as destitute of possession as he could manage; for there were loafers near Mother Gapp's, loafers at the Luck Row corner--at every corner--and loafers by the 'Posties,' all laggard of limb and alert of eye. He had just seen a child, going with an empty beer can, thrown down, robbed of his coppers and a poor old top, and kicked away in helpless tears; and the incident was commonplace enough, or many would have lacked pocket-money. Whosoever was too young, too old, or too weak to fight for it must keep what he had well hidden, in the Jago.