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To objections thus handsomely variegated it is not easy to reply with
the tripping brevity wherewith they may be stated; and truly it is
little reply that they call for, except, perhaps, in so far as they may
be taken to impugn the sincerity of my work and the accuracy of my
picture. A few of the objectors have caught up enough of their wits to
strive after a war in my own country. They take hold of my technical
method, and accuse me of lack of 'sympathy'; they claim that if I write
of the Jago I should do so 'even weeping.' Now, my technical method is
my own, and is deliberately designed to achieve a certain result, as is
the method of every man--painter, poet, sculptor, or novelist--who is
not the slave and the plaything of his material. My tale is the tale of
my characters, and I have learned better than to thrust myself and my
emotions between them and my reader. The cant of the charge stares all
too plainly from the face of it. It is not that these good people wish
me to write 'even weeping': for how do they know whether I weep or not?
No: their wish is, not that I shall weep, but that I shall weep
obscenely in the public gaze. In other words, that I shall do their
weeping for them, as a sort of emotional bedesman: that I shall make
public parade of sympathy in their behalf, so that they may keep their
own sympathy for themselves, and win comfort from the belief that they
are eased of their just responsibility by vicarious snivelling.
But the protest, that my picture of the Jago is untrue, is another
thing. For the most part it has found very vague expression, but there
are instances of rash excursion into definiteness. Certain passages have
been denoted as exaggerations--as impossibilities. Now, I must confess
that, foreseeing such adventurous indiscretions, I had, for my own
diversion, set _A Child of the Jago_ with traps. For certain years I
have lived in the East End of London, and have been, not an occasional
visitor, but a familiar and equal friend in the house of the East-Ender
in all his degrees; for, though the steps between be smaller, there are
more social degrees in the East End than ever in the West. In this
experience I have seen and I have heard things that persons sitting in
committee-rooms would call diabolical fable; nevertheless, I have seen
them, and heard them. But it was none of my design to write of extreme
instances: typical facts were all I wanted; these, I knew, would be
met--or shirked--with incredulity; so that, whenever I saw reason to
anticipate a charge of exaggeration--as for instance, in the matter of
faction fighting--I made my typical incident the cold transcript of a
simple fact, an ordinary, easy-going fact, a fact notorious in the
neighbourhood, and capable of any amount of reasonable proof. If I
touched my fact at all, it was to subdue it; that and no more. The traps
worked well. Not one definite charge of exaggeration has been flung but
Public-domain text, read in full here on John Shaqi.
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