A Childhood in Brittany Eighty Years Ago — John Shaqi
A Childhood in Brittany Eighty Years AgoSedgwick, Anne Douglas
History
A Childhood in Brittany Eighty Years Ago
Sedgwick, Anne Douglas
Brittany (France) -- Social life and customs
My mother was a beautiful woman with black hair and eyes of an intense
dark blue. She was unaware of her own loveliness, and was much amused
one day when her little boy, after gazing intently at her, said,
"_Maman_, you are very beautiful." She repeated this remark, laughing,
to my father, on which he said, "Yes, my dear, you are."
My mother was extremely proud, and not at all flattered that she
should be plain Mme. Kerouguet, although she was devoted to my father
and it was the happiest _ménage_. I remember one day seeing her bring
to my father, looking, for all her feigned brightness, a little
conscious, some new visiting-cards she had had printed, with the name
of Kerouguet reduced to a simple initial, and followed by several of
the noble ancestral names of her own family.
"What's this?" said my father, laughing.
"We needed some new cards," said my mother, "and I dislike so much the
name of Kerouguet."
But my father, laughing more than ever, said:
"Kerouguet you married and Kerouguet you must remain," and the new
cards had to be relinquished.
My mother, with her black hair and blue eyes, had a charming nose of
the sort called "_un nez Roxalane_." It began very straight and fine,
but had a flattened little plateau on the tip which we called "_la
promenade de maman_." My memory of her then is of a very active, gay,
authoritative young woman, going to balls, paying and receiving
visits, and riding out with my father, wearing the sweeping habit of
those days and an immense beaver hat and plume.
Quimper is an old town, and the _hôtels_ of the _noblesse_, all
situated in the same quarter and on a steep street, were of blackened,
crumbling stone. From _portes-cochères_ one entered the courtyards,
and the gardens behind stretched far into the country.
In the courtyard of our _hôtel_ was a stone staircase, with elaborate
carvings, like those of the Breton churches, leading to the upper
stories, but for use there were inner staircases. My mother's boudoir,
the _petit salon_, the _grand salon_, the _salle-à-manger_, and the
billiard-room were on the ground floor and gave out upon the garden.
The high walls that ran along the street and surrounded the garden
were concealed by plantations of trees, so that one seemed to look out
into the country. Flower beds were under the salon-windows, and there
were long borders of wild strawberries that had been transplanted from
the woods, as my mother was very fond of them. Fruit-trees grew
against the walls, and beyond the groves and flower beds and winding
gravel paths was an orchard, with apricot-, pear-, and apple-trees,
and the clear little river Odel, with its washing-stones, where the
laundry-maids beat the household linen in the cold, running water.
Public-domain text, read in full here on John Shaqi.
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