The appointed day arrived. From far and near the people gathered,
and thronged the great galleries of the arena; and crowds, unable to
gain admittance, massed themselves against its outside walls. The
king and his court were in their places, opposite the twin
doors--those fateful portals, so terrible in their similarity.
All was ready. The signal was given. A door beneath the royal party
opened, and the lover of the princess walked into the arena. Tall,
beautiful, fair, his appearance was greeted with a low hum of
admiration and anxiety. Half the audience had not known so grand a
youth had lived among them. No wonder the princess loved him! What a
terrible thing for him to be there!
As the youth advanced into the arena, he turned, as the custom was,
to bow to the king: but he did not think at all of that royal
personage; his eyes were fixed upon the princess, who sat to the
right of her father. Had it not been for the moiety of barbarism in
her nature it is probable that lady would not have been there; but
her intense and fervid soul would not allow her to be absent on an
occasion in which she was so terribly interested. From the moment
that the decree had gone forth that her lover should decide his fate
in the king's arena, she had thought of nothing, night or day, but
this great event and the various subjects connected with it.
Possessed of more power, influence, and force of character than any
one who had ever before been interested in such a case, she had done
what no other person had done--she had possessed herself of the
secret of the doors. She knew in which of the two rooms that lay
behind those doors stood the cage of the tiger, with its open front,
and in which waited the lady. Through these thick doors, heavily
curtained with skins on the inside, it was impossible that any noise
or suggestion should come from within to the person who should
approach to raise the latch of one of them; but gold, and the power
of a woman's will, had brought the secret to the princess.
Public-domain text, read in full here on John Shaqi.
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