English drama -- Early modern and Elizabethan, 1500-1600
"Besides he's deft and wondrous airy,
And of the noblest of the fairy!
Chiefe of the Crickets of much fame
In fairy a most ancient name."
So in _Merry Wives_, v. 5, l. 47.
[118] Quy. What kind o' God, &c.
[119] "There is a kind of crab-tree also or _wilding_ that in like
manner beareth twice a yeare." Holland's Plinie, b. xvi.
[120] "Assoyle" usually = _absolve_; here _resolve, explain_.
[121] The italics are my own, as I suppose that the four lines were
intended to be sung.
[122] 4to. It is, it is not, &c.
[123] The sense of "fine, rare," rather than that of "frequent,
abundant" (as Nares explains), would seem to suit the passages in
Shakespeare and elsewhere where the word is used colloquially.
[124] "Sib" = akin. Possibly the word still lingers in the North
Country: Sir Walter Scott uses it in the _Antiquary_, &c.
[125] "Wonning" sc. dwelling (Germ. wohnen). Spenser frequently uses
the word.
[126] A Spenserian passage (as Mr. Collier has pointed out): vid. F.Q.,
B. 2. C. xii. 71.
[127] 4to. then.
[128] 4to. And here she woman.
[129] "Caul" = part of a lady's head-dress: "reticulum crinale vel
retiolum," Withals' Dictionarie, 1608 (quoted by Nares).
[130] "The battaile. The Combattantes Sir Ambrose Vaux, knight, and
Glascott the Bayley of Southwarke: the place the Rule of the Kings
Bench."
[131] In some copies the name "John Kirke" is given in full.
[132] _Bottom_ = a ball of worsted. George Herbert in a letter to his
mother says: "Happy is he whose _bottom_ is wound up, and laid ready
for work in the New Jerusalem." So in the _Virgin Martyr_ (v. 1),--"I,
before the Destinies my _bottom_ did wind up, would flesh myself once
more upon some one remarkable above all these."
[133] 4to. your.
[134] Cf. the catalogue of torments in the _Virgin Martyr_ (v. 1).
[135] The 4to prints the passage thus:--
"I have now livd my full time;
Tell me, my _Henricke_, thy brave successe,
That my departing soule
May with thy story," &c.
Several times further on I shall have to alter the irregular arrangement
of the 4to in order to restore the blank verse; but I shall not think it
necessary to note the alteration.
[136] 4to, Horne.
[137] 4to, Aloft.
[138] The 4to gives '_The_ further,' and in the next line
'_Or_ further.'
[139] The whole of this scene is printed as verse in the 4to. I have
printed the early part as prose, that the reader's eye may not be
vexed by metrical monstrosities.
[140] Sharpe i.e. sword. Vid. Halliwell's Dictionary.
[141] 4to. field.
Public-domain text, read in full here on John Shaqi.
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