Upon my entrance, Usher arose from a sofa on which he had been lying at
full length, and greeted me with, a vivacious warmth which had much in
it, I at first thought, of an overdone cordiality—of the constrained
effort of the _ennuyé_[4] man of the world. A glance, however, at his
countenance convinced me of his perfect sincerity. We sat down; and for
some moments, while he spoke not. I gazed upon him with a feeling half
of pity, half of awe. Surely, man had never before so terribly altered,
in so brief a period, as had Roderick Usher! It was with difficulty
that I could bring myself to admit the identity of the wan being before
me with the companion of my early boyhood. Yet the character of his
face had been at all times remarkable. A cadaverousness of complexion;
an eye large, liquid, and luminous beyond comparison; lips somewhat
thin and very pallid, but of a surpassingly beautiful curve; a nose of
a delicate Hebrew model, but with a breadth of nostril unusual in
similar formations; a finely moulded chin, speaking, in its want of
prominence, of a want of moral energy; hair of a more than web-like
softness and tenuity; these features, with an inordinate expansion
above the regions of the temple, made up altogether a countenance not
easily to be forgotten. And now in the mere exaggeration of the
prevailing character of these features, and of the expression they were
wont to convey, lay so much of change that I doubted to whom I spoke.
The now ghastly pallor of the skin, and the now miraculous lustre of
the eye, above all things startled, and even awed me. The silken hair,
too, had been suffered to grow all unheeded, and as, in its wild
gossamer texture, it floated rather than fell about the face, I could
not, even with effort, connect its arabesque expression with any idea
of simple humanity.
In the manner of my friend I was at once struck with an incoherence—an
inconsistency; and I soon found this to arise from a series of feeble
and futile struggles to overcome an habitual trepidancy, an excessive
nervous agitation. For something of this nature I had indeed been
prepared, no less by his letter than by reminiscences of certain boyish
traits, and by conclusions deduced from his peculiar physical
conformation and temperament. His action was alternately vivacious and
sullen. His voice varied rapidly from a tremulous indecision (when the
animal spirits seemed utterly in abeyance) to that species of energetic
concision—that abrupt, weighty, unhurried, and hollow-sounding
enunciation—that leaden, self-balanced, and perfectly modulated
guttural utterance, which may be observed in the lost drunkard, or the
irreclaimable eater of opium, during the periods of his most intense
excitement.
Public-domain text, read in full here on John Shaqi.
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