A Colonial Reformer, Vol. 1 (of 3)Boldrewood, Rolf
History
A Colonial Reformer, Vol. 1 (of 3)
Boldrewood, Rolf
Australia -- History -- 19th century -- Fiction
‘And greater age; and you are right to be on the self-denying side
for the present. But ask yourself what an old buffer like myself can
do with his evenings more profitably. My eyes—not so good as they
were thirty years since—have generally had a fair day’s work before
dinner-time. Cards, talk, and a moderate smoke make up an old man’s
evening. When I look at the sea here—and she always was a good friend
to me—hear Antonia sing and play—bless her heart! and smoke a very good
cigar, it is rather a cunningly mixed enjoyment, you must own. Now
she’s off!’
The last statement was made simultaneously with the first notes of a
song which floated out through the opened French windows, and proved
to Mr. Neuchamp—a fair connoisseur—that his hostess had a fresh, true,
soprano voice, and rather unusual execution. As he sat listening to
song after song which Miss Frankston bestowed upon them with an utter
absence of apologetic affectation, as the stars burned more brightly
in the cloudless southern sky, as the wavelets kept their rhythmical
murmurous monotone, he involuntarily asked himself if he had left _all_
the social luxuries in the other hemisphere.
‘This is pleasant,’ said the merchant, after a long silence of words,
with something between a sigh and a shake; ‘but there are such things
as breakfast and business for to-morrow. We must end the concert. Make
for that small table in the corner.’
Upon the piece of furniture referred to there stood a silver-encrusted
inviting spirit-stand, with a bottle of iced Marco-brünner.
‘You must allow me to thank you for your songs, Miss Frankston,’ said
Ernest; ‘whether the surroundings completed the witchery I cannot tell,
but I have rarely enjoyed music so much.’
‘I am glad you like my singing,’ said she simply; ‘we see so few people
that I am not always sure whether my old music-master and myself
extract the correct expression in much of our practice.’
‘I can assure you of the correctness of your rendering,’ promptly
assented the stranger-critic. ‘I heard the last song you were good
enough to favour us with sung the week before I left. It had just been
published. And I certainly prefer a slight emendation, which I think
you have made.’
‘Most satisfactory!’ said she, with a mock inclination of respect;
‘and now good-night. Papa and breakfast wait for no man.’
CHAPTER IV
Public-domain text, read in full here on John Shaqi.
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