A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
"I believe it is," he remarked, with a shade of deprecation in his
manner. "It is Oswyn. Don't you know him?"
"I don't know him," said the other, sipping his thin Medoc. "But I
think I should like to. What is he?"
"He will be here soon, no doubt, and then you will see for yourself.
He is Oswyn! I knew him in Paris better than I do now. He was in
B----'s studio; and B---- swore that he had a magnificent genius. He
painted a monstrous picture which the Salon wouldn't hang; but B----
bought it, and hung it in his studio, where it frightened his models
into fits. Last year he came to London, where he makes enough, when
he is sober, by painting pot-boilers for the dealers, to keep him in
absinthe and tobacco, which are apparently his sole sustenance. In
the meanwhile he is painting a masterpiece; at least, so he will
tell you. He is a virulent fanatic, whose art is the most monstrous
thing imaginable. He is--but talk of the devil----"
He broke off and nodded to a little, lean man of ambiguous age, in a
strained coat, who entered at this moment with a rapid lurching
gait. He sat down immediately opposite them, under Lightmark's
presentment, with which Rainham curiously compared him. And it
struck him that there was something in that oddly repulsive figure
which Lightmark's superficial crayon had missed. The long, haggard
face was there, with its ill-kempt hair and beard; and the lips,
which, when they parted in a smile that was too full of irony,
revealed the man's uneven, discoloured teeth. Rainham lost sight of
his uncouthness in a sense of his extreme power. His eyes, which
were restless and extraordinarily brilliant, met Rainham's
presently; and the latter was conscious of a certain fascination in
their sustained gaze. In spite of the air of savagery which pervaded
the man, it was a movement of sympathy which, on the whole, he
experienced towards him. And it seemed as if this sentiment were
reciprocal, for when the German youth, who was the cupbearer of the
establishment, had taken Oswyn's order, and had brought him absinthe
in a long glass, he motioned it abruptly to the opposite table. Then
he crossed over and accosted Lightmark, whom he had not hitherto
appeared to recognise, with a word of greeting. Lightmark murmured
his name and Rainham's, and the strange, little man nodded to him
not unamiably.
"I must smoke, if you don't mind," he said, after a moment.
They nodded assent, and he produced tobacco in a screw of newspaper
from the pocket of his coat, and began rapidly to make cigarettes.
Rainham watched the dexterous movements of his long nervous
hands--the colour of old ivory--and found them noticeable.
"You are not an artist, I think," he suggested after a moment,
fixing his curiously intent eyes on Rainham.
"No," admitted the other, smiling, "I am afraid I am not. I am only
here on sufferance. I am a mender of ships."
Public-domain text, read in full here on John Shaqi.
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