A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
Oswyn repeated his order, smiling still a little remotely, as he let
the water trickle down from a scientific height to his glass,
whipping the crystal green of its contents into a nebulous yellow.
Rainham, who had listened to the little passage of arms in silence,
felt troubled, uneasy. The air seemed thunderous, and was heavy with
unspoken words. There appeared to be an under-current of
understanding between the two painters which was the reverse of
sympathetic, and made conversation difficult and volcanic. It caused
him to remind himself, a trifle sadly, how little, after all, one
knew of even one's nearest friend--and Lightmark, perhaps, occupied
to him that relation--how much of the country of his mind remains
perpetually undiscovered; and it made him wonder, as he had
sometimes wondered before, whether the very open and sunny nature of
the young painter, which was so large a part of his charm, had not
its concealed shadows--how far, briefly, Lightmark's very frankness
might not be a refinement of secretiveness?
If, however, a word here and there, a trait surprised, indefinable,
led him on occasion to doubt of his dominant impression of
Lightmark's character, these doubts were never of long duration; and
he would dismiss them, barely entertained, even as a sort of
disloyalty, to the limbo of stillborn fancies. And so now, with his
accustomed generosity, he speedily flung himself into the breach,
and did his best to drive the conversation into impersonal and
presumably safer channels. He touched on the prospects of the
Academy, of academic art, and art in general, and by-and-by, as
Oswyn rose to the discussion, he became himself interested, and was
actuated less by a wish to make conversation than to draw his new
friend out. And as the artist leant forward, grew excited, with his
white, lean face working into strange contortions--as he shot out
his savage paradoxes, expounding the gospel of the new art a trifle
thickly now, and rolling and as rapidly smoking perpetual
cigarettes, he found him again strangely attractive.
He had flashes of insight, it seemed to Rainham; there was something
in his caustic criticism which led him to believe that he could at
another time have justified himself, defended reasonably and sanely
a position that was at least tenable.
Public-domain text, read in full here on John Shaqi.
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