A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
Indolence and ill-health, in the opinion of many the salient points
in Philip Rainham's character, had left him at forty with little of
the social habit. The circle of his intimates had sensibly narrowed,
and for the rest he was becoming more and more conscious that people
whom one does not know exceedingly well are not worth knowing at
all. The process of dining out two or three times a week in the
company of two or three persons whose claims on his attention were
of the slenderest he found a process attended with less and less
pleasure the older he grew. There were few houses now which he
frequented, and this year, when he had made an effort to devote a
couple of evenings to the renewal of some acquaintance of the
winter, and had discovered, as he had discovered anew each season,
that the effort gave him no appreciable compensations for the
disagreeables it involved, he made fresh resolutions of abstinence,
and on the whole he kept them amazingly well.
For the most part, when he was not routed out by Lightmark (and
since the young artist was in train to become a social acquisition
this happened less frequently than of old), it was at Blackpool that
he spent his evenings. He had, it is true, a standing invitation to
dinner at Lady Garnett's when that old lady found herself at home;
but Portman Square was remote, and evening dress, to a man with one
lung in a climate which had so fickle a trick of registering itself
either at the extreme top or bottom of the thermometer, presented
various discomforts. His den behind the office--a little
sitting-room with a bay-window facing Blackpool Reach, a room
filled with books that had no relation to shipping, and hung round
with etchings and pictures in those curiously-low tones for which he
had so unreasonable an affection--was what he cherished most in
London. He read little now, but the mere presence of the books he
loved best in rough, uneven cases, painted black, lining the walls,
caressed him. As with persons one has loved and grown used to
loving, it was not always needful that they should speak to him; it
was sufficient, simply, that they should be there. Neither did he
write on these long, interminable evenings, which were prolonged
sometimes far into the night. He had ended by being able to smile
at his literary ambitions of twenty, cultivating his indolence as
something choice and original, finding his destiny appropriate.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account