A Comedy of Masks: A NovelDowson, Ernest Christopher
General
A Comedy of Masks: A Novel
Dowson, Ernest Christopher
Fiction
"You may think me a charlatan," he said, with the same savage
earnestness, "but I can tell you I am not. I may fail or I may
succeed, as the world counts those things. It is all the same: I
believe in myself. It is sufficient to me if I approve myself, and
the world may go to damnation! What I care for is my idea!... yes,
my idea, that's it! They can howl at me," he went on; "but they can
never say of any stroke of my brush that I put it there for them. I
could have painted pictures like Lightmark if I had cared, you know,
but I did not care!"
"And yet he has great facility," said Rainham tentatively.
"He has more," said Oswyn bitterly, "or, at least, he had--genius.
And he has deliberately chosen to go the wrong way, to be
conventional. He can't plead 'invincible ignorance' like the others;
he ought to know better. Well, he has his reward; but I can't
forgive him."
Rainham shrugged his shoulders with something between a sigh and a
laugh.
"Poor boy! he is young, you know. Perhaps he will live to see the
errors of his ways."
"When he's an Academician, I suppose?" suggested the other
ironically. "Do they ever see the errors of their ways? If they do
they don't show it. No; he will marry a rich wife, and make speeches
at banquets, and paint portraits of celebrities, for the rest of his
days. And in fifty years' time people will say, 'Lightmark, R.A.?
Who the devil was he?'"
By this time the young moon had risen, and its cold light shimmered
on the misty river. Rainham refilled his pipe, and opened the window
still more widely.
"By Jove, what a night!" he said. "What a night for a painter! I am
sure you are longing to be out in it. I'm afraid there's nothing to
show you in the dock at present; you must come down again when
there's a ship coming in at night. I feel quite reconciled to the
dock on those occasions. Shall we go for a stroll in the
moonlight--and seek impressions?"
Oswyn's restless humour welcomed the suggestion, and he was already
waiting, his soft felt hat in one ungloved hand, and a heavy,
quaintly carved stick in the other.
They stood for some minutes on the little, square, pulpit-like
landing, at the top of the creaking wooden staircase, which led down
the side of the building from office to yard, listening to the faint
drip of the water through the sluice-gates; the wail of a child
outside the walls, and the pacing step of the woman who hushed it;
the distant intermittent roar of the song which reached them through
the often opened doors of a public-house. Presently the
night-watchman lumbered out of his sentry-box by the gates, his dim
lantern sounding pools of mysterious darkness, which were untouched
by the solitary gas-lamp in the street outside, and which the faint
moonlight only seemed to intensify.
Public-domain text, read in full here on John Shaqi.
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