English essays -- 20th century; English fiction -- 20th century; Short stories, English
For, sitting there in your seven hundred carriages, you are blind--in
heart, and soul, and voice, and walk; the blindest creature in the
world. Never for one minute of your life have you thought, or done, or
spoken for yourself. You have been prevented; and so wonderful is this
plot to keep you blind that you have not a notion it exists. To yourself
your sight seems good, such is your pleasant thought. Since you cannot
even see this hedge around you, how can there be anything the other
side? The ache beneath your corsets in the spring is all you are ever to
know of what there is beyond. And no one is to blame for this--you least
of all.
It was settled, long before the well-fed dullard’s kiss from which you
sprang. Forces have worked, in dim, inexorable progress, from the
remotest time till they have bred you, little blind creature, to be the
masterpiece of their creation. With the wondrous subtlety of Fate’s
selection, they have paired and paired all that most narrowly approaches
to the mean, all that by nature shirks the risks of living, all that by
essence clings to custom, till they have secured a state of things which
has assured your coming, in your perfection of nonentity. They have
planted you apart in your expensive mould, and still they are at
work--these gardeners never idle--pruning and tying night and day to
prevent your running wild. The Forces are proud of you--their waxen,
scentless flower!
The sun beats down, and still your carriage does not move; and this
delay is getting on your nerves. You cannot imagine what is blocking-up
your way! Do you ever imagine anything? If all those goodly coverings
that contain you could be taken off, what should we find within the last
and inmost shell--a little soul that has lost its power of speculation.
A soul that was born in you a bird and has become a creeping thing;
wings gone, eyes gone, groping, and clawing with its tentacles what is
given it.
You stand up, speaking to your coachman! And you are charming, standing
there, to us who, like your footman, cannot see the label “Blind.” The
cut of your gown is perfect, the dressing of your hair the latest, the
trimming of your hat is later still; your trick of speech the very
thing; you droop your eyelids to the life; you have not too much powder;
it is a lesson in grace to see you hold your parasol. The doll of
Nature! So, since you were born; so, until you die! And, with his
turned, clean-shaven face, your footman seems to say: “Madam, how you
have come to be it is not my province to inquire. You are! I am myself
dependent on you!” You are the heroine of the farce, but no one smiles
at you, for you are tragic, the most tragic figure in the world. No
fault of yours that ears and eyes and heart and voice are atrophied so
that you have no longer spirit of your own!
Public-domain text, read in full here on John Shaqi.
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