English essays -- 20th century; English fiction -- 20th century; Short stories, English
This is the answer that they seem to make, their lips move, but no sound
comes.
The warder watches these moving lips, his eyes, the eyes of a keeper of
wild beasts, are saying: “Pass on, sir, please, and don’t excite the
convicts--you have seen all there is to see!”
And so the visitor goes out into the prison yard.
On to the grey old buildings a new grey block is being built; it runs up
high already towards the square of sky; and on the pale scaffolding are
prisoners cementing in the stones. A hundred feet up, they move with
silent zest, helping to make the little whitewashed spaces safe, to
hold--themselves; helping to make thick the walls, that they may hear
nothing, and their own moaning may be smothered; helping to join stone
to stone, and fill the cracks between, that no creature, however small,
may come to share their solitude; helping to make the window-spaces high
above their reach, that from them they shall look at--nothing; helping
to hide themselves away out of the minds of all who have not sinned
against man’s justice; for, to forget them in their silence and their
solitude is good for man, and to remember them, unpleasant. The sky is
grey above them, they are grey against the sky; no sound comes down but
the smothered tapping of their tools.
The visitor goes out towards the prison gate; and, meeting him, come
three convicts marching in--the tallest in the centre, an old man with
active step and grey bristles on his weather-darkened face. Light darts
into his eyes fixed on the visitor; he bares his yellow teeth and
smiles. His lips move, and out of them come words. So, when skies have
been dark all day, the sun gleams through, to prove the beauty of the
Earthly Scheme. These words--the precious evidence of purifying
solitude, the only words that have been spoken in the House of Silence,
come faintly on the prison air: “Ye ---- ----!”
ORDER
XIV
ORDER
Coming from where they cooked their food, we passed down a passage. The
old warder in the dark blue uniform and a cap whose peak hung over his
level iron-grey eyebrows, stopped.
“This,” he said, “is the jewel room;” and, taking a key that hung below
his belt, he opened an iron door. A convict with a yellow face, in
yellow clothing marked with arrows, and in his yellow hand a piece of
yellow leather, darted a look at us, dropped his glance, and with a
dreadful, silent, swift obsequiousness passed us and went out. We stood
alone amongst the jewels, that he had evidently been polishing.
“We call it the jewel room for fun,” the old warder said, and a smile,
the first of the morning, visited his face, but quickly left his eyes
again to that strange mournful look, which some eyes have in the depths
of them--a look, as if in strict attention to the outer things of life,
their owner had parted with his soul. He took one of the jewels from the
wall, and held it out. It was a light steel bangle joined by a light
steel chain to another light steel bangle.
Public-domain text, read in full here on John Shaqi.
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