A Commonplace Book of Thoughts, Memories, and Fancies.: 2nd ed.Jameson, Mrs. (Anna)
General
A Commonplace Book of Thoughts, Memories, and Fancies.: 2nd ed.
Jameson, Mrs. (Anna)
Art and literature; Commonplace books; Ethics; Quotations
Produced by Julia Miller, Turgut Dincer and the Online
Distributed Proofreading Team at http://www.pgdp.net (This
file was produced from images generously made available
by The Internet Archive/Canadian Libraries)
A
COMMONPLACE BOOK
OF
Thoughts, Memories, and Fancies.
[Illustration]
A COMMONPLACE BOOK—
OF
Thoughts, Memories, and Fancies.
ORIGINAL AND SELECTED.
PART I.—ETHICS AND CHARACTER.
PART II.—LITERATURE AND ART.
BY MRS. JAMESON.
“Un peu de chaque chose, et rien du tout,—à la française!”—MONTAIGNE.
With Illustrations and Etchings.
SECOND EDITION, CORRECTED.
LONDON:
LONGMAN, BROWN, GREEN, AND LONGMANS.
1855.
[Illustration]
PREFACE.
I must be allowed to say a few words in explanation of the contents of
this little volume, which is truly what its name sets forth—a book of
common-places, and nothing more. If I have never, in any work I have
ventured to place before the public, aspired to _teach_, (being myself a
_learner_ in all things,) at least I have hitherto done my best to
deserve the indulgence I have met with; and it would pain me if it could
be supposed that such indulgence had rendered me presumptuous or
careless.
For many years I have been accustomed to make a memorandum of any
thought which might come across me—(if pen and paper were at hand), and
to mark (and _remark_) any passage in a book which excited either a
sympathetic or an antagonistic feeling. This collection of notes
accumulated insensibly from day to day. The volumes on Shakspeare’s
Women, on Sacred and Legendary Art, and various other productions,
sprung from seed thus lightly and casually sown, which, I hardly know
how, grew up and expanded into a regular, readable form, with a
beginning, a middle, and an end. But what was to be done with the
fragments which remained—without beginning, and without end—links of a
hidden or a broken chain? Whether to preserve them or destroy them
became a question, and one I could not answer for myself. In allowing a
portion of them to go forth to the world in their original form, as
unconnected fragments, I have been guided by the wishes of others, who
deemed it not wholly uninteresting or profitless to trace the path,
sometimes devious enough, of an “inquiring spirit,” even by the little
pebbles dropped as vestiges by the way side.
Public-domain text, read in full here on John Shaqi.
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