Hagar—Rebecca—Rachel—Queen of Sheba 356 Lady Godiva 357 Joan of Arc 359 Characters from Shakspeare 364 Characters from Spenser 366 From Milton. The Lady—Comus—Satan 367 From the Italian and Modern Poets 370 LIST OF ETCHINGS. 1. Fruits and Flowers. After an old drawing. 2. Out of my garden. 3. Virgin Martyrs. Thought. Memory. Fancy. After Benedetto da Matera. 4. La Penserosa. After Ambrogio Lorenzette. 5. La Fille du Feu. From a sketch by Von Schwind. 6. Laus Dei. Angel after Hans Hemmeling. 7. Eve and Cain. After Steinle. 8. Study. After an old print. 9. The Parcæ. From a sketch by Carstens. 10. Antique Owlet. In Goethe’s collection at Weimar. *** The woodcuts are inserted to divide the paragraphs and subjects, and are ornamental rather than illustrative. Where the same vignette heads several paragraphs consecutively, it is to signify that the _ideas_ expressed stand in relation to each other. PART I. Ethics and Character. [Illustration] [Illustration] Ethical Fragments. 1. Bacon says, how wisely! that “there is often as great vanity in withdrawing and retiring men’s conceits from the world, as in obtruding them.” Extreme vanity sometimes hides under the garb of ultra modesty. When I see people haunted by the idea of self,—spreading their hands before their faces lest they meet the reflection of it in every other face, as if the world were to them like a French drawing-room, panelled with looking glass,—always fussily putting their obtrusive self behind them, or dragging over it a scanty drapery of consciousness, miscalled modesty,—always on their defence against compliments, or mistaking sympathy for compliment, which is as great an error, and a more vulgar one than mistaking flattery for sympathy,—when I see all this, as I have seen it, I am inclined to attribute it to the immaturity of the character, or to what is worse, a total want of simplicity. To some characters fame is like an intoxicating cup placed to the lips,—they do well to turn away from it, who fear it will turn their heads. But to others, fame is “love disguised,” the love that answers to love, in its widest most exalted sense. It seems to me, that we should all bring the best that is in us (according to the diversity of gifts which God has given us), and lay it a reverend offering on the altar of humanity,—if not to burn and enlighten, at least to rise in incense to heaven. So will the pure in heart, and the unselfish do; and they will not heed if those who _can_ bring nothing or _will_ bring nothing, unless they can blaze like a beacon, call out “VANITY!” [Illustration] 2.