As for Touch: it will only arise upon the organ’s (instrument’s)
receiving the quality of that which is touched, and upon the touching
power’s perceiving what has been thus presented (offered) within the
organ.
Furthermore, simple sensibles, that are at once primary and as such the
bases of all others, are in pairs, of which there are eight; and if we
make each into singles, they become sixteen, to wit:--
(a) Touch, four pairs:--1. heat and cold; 2. moisture and dryness; 3.
roughness and smoothness; 4. hardness and softness. The four remaining
senses, each having a pair, viz.,
(b) Smelling, one pair, which is fragrant odour, and fetid stinking
odour,
(c) Tasting, one pair, viz., sweet and bitter,
(d) Hearing, one pair, namely, heavy sound and sharp sound (or dull and
shrill),
(e) Sight, one pair, to wit, white and black.
All other sensibles are made up from these simples, and are
intermediates between some two of them, as for example grey (dusty
color) from white and black, lukewarm from hot and cold. Moreover all
sensibles are felt wholly and solely through a sort of gathering and
sundering, shrinking and spreading; except sounds, which are felt only
through sundering. Thus:--
1. [Warmth is felt through sundering]
2. Cold is felt through gathering
3. Moisture, through spreading
4. Dryness, through shrinking
5. Roughness, through sundering
6. Smoothness, through spreading
7. Hardness, through repelling, which is a sort of gathering and
shrinking
8. Softness, through being repelled, which is not devoid of spreading
and sundering
9. Sweetness, through spreading, devoid of sundering
10. Bitterness, through sundering and shrinking
11. Fragrant Odor, through spreading, devoid of sundering
12. Stinking Odor, through sundering and shrinking
13. Whiteness, through sundering
14. Blackness, through gathering
[15. and 16. Sounds: one pair, as above under “d.”]
Public-domain text, read in full here on John Shaqi.
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