three. Heraldry figures more prominently in our second illustration, the brass to Sir Roger de Trumpington, 1289 (Fig. 24). This fine effigy lies under the canopy of an altar-tomb, so called, in the Church of St. Michael and All Angels, Trumpington, Cambridgeshire. It portrays the knight in armour closely resembling that already described, with these exceptions: the head rests upon a huge _heaume_, or tilting-helm, attached by a chain to the girdle, and the neck is here protected from side-thrusts by _ailettes_ or oblong plates fastened behind the shoulders, and bearing the arms of Sir Roger. A dog here replaces the lion at the feet, the lance and pennon are absent, and the shield is rounded to the body. On this brass the arms not only occur upon the shield, but also upon the ailettes, and are four times repeated on the scabbard. They afford a good example of "canting" arms: "Azure, crusilly and two trumpets palewise or, with a label of five points in chief, for difference." It is interesting also to notice that the engraver had not {55} completed his task, for the short horizontal lines across the dexter side of the shield indicate his intention of cutting away the surface of the field. [Illustration: FIG. 25.--Brass of Sir Robert de Septvans in Chartham Church.] [Illustration: FIG. 26.--Brass of Sir William de Aldeburgh at Aldborough, Yorks. Arms: Azure, a fesse argent between three cross crosslets or. (From a rubbing by Walter J. Kaye.)] Sir Robert de Setvans (formerly Septvans), whose beautiful brass may be seen at Chartham, Kent, is habited in a surcoat whereon, together with the shield and ailettes, are seven winnowing fans--another instance of canting arms (Fig. 25). This one belongs to a somewhat later date, 1307. [Illustration: FIG. 27.--Brass of Elizabeth Knevet.]