A Complete Guide to HeraldryFox-Davies, Arthur Charles
History
A Complete Guide to Heraldry
Fox-Davies, Arthur Charles
Heraldry -- Great Britain
One practical instance may perhaps more fully demonstrate my meaning. There
is one figure, probably the most beautiful of all of those which we owe to
Egypt, which is now rapidly being absorbed into heraldry. I refer to the
Sphinx. This, whilst strangely in keeping with the remaining mythical
heraldic figures, for some reason or other escaped the exclusive
appropriation of armorial use until within modern times. One of the
earliest instances of its use in recognised armory occurs in the grant to
Sir John Moore, K.B., the hero of Corunna, and another will be found in the
augmentation granted to Admiral Sir Alexander Cochrane, K.B. Since then it
has been used on some number of occasions. It certainly remained, however,
for the late Garter King of Arms to evolve from the depths of his
imagination a position which no Egyptian sphinx ever occupied, when he
granted two of them as supporters to the late Sir Edward Malet, G.C.B. The
Sphinx has also been adopted as the badge of one of his Majesty's
regiments, and I have very little doubt that now Egypt has come under our
control the Sphinx will figure in some number of the grants of the future
to commemorate fortunes made in that country, or lifetimes spent in the
Egyptian services. If this be so, the dominating influence of armory will
doubtless in the course of another century have given to the Sphinx, as it
has to many other objects, a distinctly heraldic nature and character in
the mind of the "man in the street" to which we nowadays so often refer the
arbitrament between conflicting opinions. Perhaps in the even yet more
remote future, when the world in general accepts as a fact that armory did
not exist at the time of the Norman Conquest, we shall have some
interesting and enterprising individual writing a book to demonstrate that
because the Sphinx existed in Egypt long before the days of Cleopatra,
heraldry must of necessity be equally antique. {5}
Public-domain text, read in full here on John Shaqi.
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