A Complete History of Music: for Schools, Clubs, and Private Reading — John Shaqi
A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
=The Hebrews=.—What a wonderful history is that of the Hebrews! It
has seen nation after nation rise to power and go down. It has been
enslaved, seemingly beyond all possibility of recovering a national
existence, yet regained place. Egypt, Assyria, Persia, Rome, held
the Hebrews, yet the latter are still with us, as a distinct race,
while their conquerors have but pages of history. A glance at the
history of the race will show that they touched the sources of early
civilization. Abraham was a resident, according to the Bible story, of
Ur in the land of the Chaldees, where a considerable civilization had
been attained. From here he went to Canaan, thence to Egypt, and back
again to the country east of the Red Sea. When his descendants went to
Egypt they must have carried with them Syrian music and instruments,
doubtless preserving a trace of Chaldean influence. It was during the
four centuries’ sojourn in Egypt that the Hebrews, though for a time
enslaved, gained the proportions of a nation. As their duties placed
them in close relations to their masters, they gained considerable of
the Egyptian science, literature, customs, etc. At that time, musicians
were slaves, and tradition says that Miriam, the sister of Moses, was a
slave dancing-girl and singer. We know that Moses was instructed in the
learning of the Egyptian priesthood, and in that capacity officiated
in some of the functions of the temple services. Such facts as these
go far to justify the idea that the Hebrews gained their fundamental
notions of music and musical instruments during their long sojourn in
Egypt. Some writers claim that the songs of the Hebrews were adapted to
Egyptian chants. The pastoral life led by the descendants of Abraham,
the period of slavery which the Hebrews suffered in Egypt, and the
subsequent migratory life in the wilderness were not adapted to develop
a people’s song. The life in Palestine for many years was a strenuous
one; and then came another period of slavery among the Assyrians, by
which the Hebrew ideas were again modified.
=A Religious People=.—The Hebrews were an intensely religious people,
the code delivered to them by Moses fixing the status of music up to
the time of the pleasure-loving Solomon. Their music, in distinction
from that of the nations around them, was not sensuous but a true
_musica sacra_, in this respect more a matter of religion than of art.
During the reign of David, the Levites were organized as the singers
for the Temple services. Music and poetry were the chief subjects of
instruction. David himself composed many of the tunes to which his
Psalms were sung.
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