A Complete History of Music: for Schools, Clubs, and Private Reading — John Shaqi
A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
=The Principles in Music=.—The leading principles in music are: Rhythm,
Melody, Harmony, Color or Tone Quality, and in the execution of works
of music, Dynamic Contrast, an essential factor in Expression. For
ages after the birth of Music, Rhythm and Melody were the only real
elements, Rhythm being first recognized. The potency of Rhythm, strong
and irresistible in the early days of the race and with primitive man,
is still acknowledged. Music that lacks a clearly-defined rhythm does
not move the masses. Witness martial music, the dance airs and the
“popular song.” All primitive languages were characterized by concise,
figurative and picturesque qualities; they easily changed from the
ordinary into the lofty and the impassioned. Intonation and changing
inflection had much to do with meaning, as is the case with the Chinese
language of today. Historians ascribe the origin of Melody to this
principle of vocal expression. For years prior to the Christian Era,
and long after, Rhythm and Melody were the only accepted elements of
Music, and the art remained in a low grade of development. It was not
until Harmony appeared, clear and unmistakable, that Music was able to
claim a position equal to that accorded to the sister-arts, Poetry,
Painting, Sculpture and Architecture. These principles, Rhythm, Melody
and Harmony, became, when couched in the forms of expression adopted by
the great masters, what we call Modern Music, and the story is one of
a development from extreme simplicity to the complexity illustrated in
modern orchestral scores.
=Means of Expression=.—One more phase must be mentioned here, the means
used to present to others the thoughts or feelings of the composer,
that is, the human voice and its artistic use, instruments of various
kinds, their primitive forms and gradual development, their use singly
and in combination with other instruments. This phase is peculiarly
associated with modern music; for it was not until the art had freed
itself from the fetters imposed by vocal music, that absolute music,
availing itself of perfected instruments, came into its own. From that
time development was unprecedentedly rapid.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account