A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
5. Fidula (Fidel, Fiddle), equivalent to “viol,” is the comprehensive
term for the string instruments of the 8th to the 14th century. Its
resonant body was arched and pear-shaped. The French flattened it more
and called it Gigue, the Italians Giga, the Germans Geige, the latter
term still being used. Two varieties were in use—the small and the
large. The former had three strings tuned in fifths, the latter four to
six, usually tuned in fourths and one third. The “large” species was
made in four sizes for Discant (soprano), Alto, Tenor, and Bass. The
“large” instrument had no bridge such as the violin of today has, and
in its rounded form was difficult to play. Later it was cut out at the
sides, thus approaching the shape of our violin.
6. The Viol, which first appears in the 15th century, had a resonant
body which came almost to a point back of the neck, and the upper
part of the body of the instrument was smaller than the lower; the
fingerboard had frets like our guitar; the edges were higher, the _f_
holes were sickle-shaped, the top was flat, and the number of strings
was six. Viols were divided into two groups—those held with the arm
(like our violin), those played between the knees (like our ’cello).
They were named the soprano or discant viol (violetta), the alto and
tenor viols, and the bass viol (gamba). The contra-bass or double bass
has the viol form in certain respects.
From the viol family comes our violin through a diminution and
beautifying of the form, through lessening the number of strings and
doing away with the frets.
REFERENCES.
Lavignac.—Music and Musicians. Section on Instruments.
Grove.—Dictionary of Music and Musicians, articles on the various
instruments.
QUESTIONS AND SUGGESTIONS.
What are the general classes into which musical instruments are grouped?
Name the percussion instruments.
Name the principles of classification for wind instruments.
Give examples of each class.
What is a reed? How many kinds are in use?
What methods of producing sound are used in playing stringed
instruments?
Give examples of each class.
Give a description of the lute.
Name the steps in the evolution of the violin.
The catalogues of the instruments contained in the Metropolitan Museum
(Crosby-Brown Collection), New York City, will be found very useful for
reference. This collection is one of the most complete in the world,
and is arranged so as to show the development of instruments of the
various types. They can be secured at slight expense by addressing the
Museum.
LESSON XVI.
THE ORGAN, ORGAN PLAYING AND ORGAN MUSIC.
Public-domain text, read in full here on John Shaqi.
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