A Complete History of Music: for Schools, Clubs, and Private ReadingBaltzell, W. J. (Winton James)
History
A Complete History of Music: for Schools, Clubs, and Private Reading
Baltzell, W. J. (Winton James)
Music -- History and criticism
In the book of Genesis it is written: “Jubal, he was the father of all
such as handle the harp and organ.” It is not to be understood that the
word organ in this passage meant an instrument anything like that heard
in our churches at the present day. In fact, as St. Augustine tells us,
there was a time when all musical instruments were called organs.
=The Germ of the Organ=.—The invention of the organ is veiled in
deepest darkness. Its development from its earliest forms to its
present state has occupied a period of almost two thousand years.
Doubtless, the first idea of a wind instrument was suggested by the
breeze blowing across the open ends of broken reeds, the discovery
naturally following that reeds of different lengths gave forth sounds
of varying pitch. In course of time, reeds or pipes, differing in
length, began to be joined together, conveniently arranged so as to
produce a succession of musical sounds, the players blowing them with
the mouth. These instruments were called =Pan’s Pipes=, the =Syrinx= of
the ancient Greeks.
=The First Stage of Development=.—As the number of pipes was increased,
the moving of the head back and forth in order to blow them became
difficult. The pipes were then placed in a sort of box or wind chest,
a tube being added through which the player could blow, the pipes not
intended to sound being closed by the fingers. Furthermore, as the
pipes were increased in number and in size, it became necessary to
employ various mechanical accessories to furnish adequate wind supply,
and to open and close the pipes at will, the breath and fingers of the
player proving insufficient. A device was invented in the form of a
slide, rule or tongue of wood, which was placed beneath the aperture
of the pipe, and perforated so as to shut off or admit wind to the pipe
as it was drawn back or forth. The earliest form of bellows might be
suggested by the leathern bag of the bagpipe. In this the wind pressure
was unsteady and the tone necessarily disconnected.
[Illustration: PAN’S PIPES (SYRINX). EARLY FORM OF THE ORGAN.]
Public-domain text, read in full here on John Shaqi.
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