A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"Dead? No, he isn't dead. He was knocked over by a team
coming behind him down the hill, and was slightly bruised. There's no
cause for alarm. He sent me to tell you; they've carried him to your
rooms."
_Constance._--"Oh, thank Heaven!" She bows her head with a sob, upon
his shoulder, and then lifts her tearful eyes to his: "Help me to get to
him! I am weak." She totters and Bartlett mechanically passes a
supporting arm about her. "Help me, and don't--don't leave me!" She
moves with him a few paces toward the door, her head drooping; but all
at once she raises her face again, stares at him, stiffly releases
herself, and with a long look of reproach walks proudly away to the
other door, by which she vanishes without a word.
_Bartlett_, remaining planted, with a bewildered glance at his empty
arm: "Well, I wonder who and what and where I am!"
III.
DISSOLVING VIEWS.
I.
GENERAL WYATT _and_ MRS. WYATT.
In the parlour stands an easel with a canvas of inordinate dimensions
upon it, and near this a small table, with a fresh box of colours in
tubes, and a holiday outfit of new brushes, pallet, and other artist's
materials, evidently not the property of Bartlett. Across the room from
this apparatus is stretched Constance's easy-chair, towards which
General Wyatt, bearing some marks of his recent accident in a bandaged
wrist and a stiff leg, stumps heavily, supported by Mrs. Wyatt. Beside
this chair is the centre-table of the parlour, on which are an open box
of cigars, and a pile of unopened newspapers.
_General Wyatt_, dropping into the chair with a groan.--"Well, my dear!
I feel uncommonly ashamed of myself, taking Constance's chair in this
manner. Though there's a great consolation in thinking she doesn't need
it any longer." Settling himself more comfortably in the chair, and
laying his stick across his knees: "Margaret, I begin to be very happy
about Constance. I haven't had so light a heart for many a long day. The
last month has made a wonderful change in her. She is almost like her
old self again."
_Mrs. Wyatt_, sighing.--"Yes, it seems almost too good to be true. I
don't know quite what to make of it. Sometimes, I almost fear for her
mind. I'm sure that half the time she forgets that Mr. Bartlett isn't
that wretch, and I can see her awake with a start to the reality every
little while, and then wilfully lull her consciousness to sleep again.
He's terribly like. I can hardly keep from crying out at times; and
yesterday I did give way: I was _so_ ashamed, and he looked so _hurt_. I
see Constance restrain herself often, and I dare say there are times
that we don't know of when she doesn't."
_General Wyatt._--"Well, all that may be. But it's a thing that will
right itself in time. We must do our best not to worry him. This painter
is a fine fellow, my dear. I took a great fancy to him at the beginning.
I liked him from the moment I saw him."
_Mrs. Wyatt._--"James! You were going to strike him with your cane."
Public-domain text, read in full here on John Shaqi.
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