A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
_Bartlett._--"It does. But I am inexorable,--you must have observed the
trait before. In this case I will not yield even to my own colossal
self-respect." Earnestly: "Ah, Constance, do you think I could love you
the less because your heart was too true to swerve even from a traitor
till he was proved as false to honour as to you?" Lightly again: "Come,
I like your fidelity to worthless people; I'm rather a deep and darkling
villain myself."
_Constance_, devoutly.--"You? Oh, you are as nobly frank and open
as--as--as papa!"
_Bartlett._--"No, Constance, you are wrong, for once. Hear my dreadful
secret; I'm not what I seem,--the light and joyous creature I look,--I'm
an emotional wreck. Three short years ago, I was frightfully
jilted"--they all turn upon him in surprise--"by a young person who, I'm
sorry to say, hasn't yet consoled me by turning out a scamp."
_Constance_, drifting to his side with a radiant smile.--"Oh, I'm _so_
glad."
_Bartlett_, with affected dryness.--"Are you? I didn't know it was such
a laughing matter. I was always disposed to take those things
seriously."
_Constance._--"Yes, yes! But don't you see? It places us on more of an
equality." She looks at him with a smile of rapture and logic
exquisitely compact.
_Bartlett._--"Does it? But you're not half as happy as I am."
_Constance._--"Oh yes, I am! Twice."
_Bartlett._--"Then that makes us just even, for so am I." They stand
ridiculously blest, holding each other's hand a moment, and then
Constance, still clinging to one of his hands, goes and rests her other
arm upon her mother's shoulder.
_Constance._--"Mamma, how wretched I have made you, all these months!"
_Mrs. Wyatt._--"If your trouble's over now, my child,"--she tenderly
kisses her cheek,--"there's no trouble for your mother in the world."
_Constance._--"But I'm not happy, mamma. I can't be happy, thinking how
wickedly unhappy I've been. No, no! I had better go back to the old
wretched state again; it's all I'm fit for. I'm _so_ ashamed of myself.
Send him away!" She renews her hold upon his hand.
_Bartlett._--"Nothing of the kind. I was requested to remain here six
weeks ago, by a young lady. Besides, this is a public house. Come, I
haven't finished the catalogue of my disagreeable qualities yet. I'm
jealous. I want you to put that arm on _my_ shoulder." He gently effects
the desired transfer, and then, chancing to look up, he discovers the
Rev. Arthur Cummings on the threshold in the act of modestly retreating.
He detains him with a great melodramatic start. "Hah! A clergyman! This
is indeed ominous!"
THE PARLOUR CAR.
A FARCE.
THE PARLOUR CAR.
A FARCE.
Public-domain text, read in full here on John Shaqi.
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