A Counterfeit Presentment; and, The Parlour CarHowells, William Dean
General
A Counterfeit Presentment; and, The Parlour Car
Howells, William Dean
American drama -- 19th century; Man-woman relationships -- Drama
SCENE: _A Parlour Car on the New York Central Railroad. It is late
afternoon in the early autumn, with a cloudy sunset threatening
rain. The car is unoccupied save by a gentleman, who sits fronting
one of the windows, with his feet in another chair; a newspaper
lies across his lap; his hat is drawn down over his eyes, and he is
apparently asleep. The rear door of the car opens, and the
conductor enters with a young lady, heavily veiled, the porter
coming after with her wraps and travelling-bags. The lady's air is
of mingled anxiety and desperation, with a certain fierceness of
movement. She casts a careless glance over the empty chairs._
_Conductor._--"Here's your ticket, madam. You can have any of the
places you like here, or,"--glancing at the unconscious gentleman, and
then at the young lady--"if you prefer, you can go and take that seat in
the forward car."
_Miss Lucy Galbraith._--"Oh, I can't ride backwards. I'll stay here,
please. Thank you." The porter places her things in a chair by a window,
across the car from the sleeping gentleman, and she throws herself
wearily into the next seat, wheels round in it, and lifting her veil
gazes absently out at the landscape. Her face, which is very pretty,
with a low forehead shadowed by thick, blonde hair, shows the traces of
tears. She makes search in her pocket for her handkerchief, which she
presses to her eyes. The conductor, lingering a moment, goes out.
_Porter._--"I'll be right here, at de end of de cah, if you should
happen to want anything, miss,"--making a feint of arranging the shawls
and satchels. "Should you like some dese things hung up? Well, dey'll be
jus' as well in de chair. We's pretty late dis afternoon; more 'n four
hours behin' time. Ought to been into Albany 'fore dis. Freight train
off de track jus' dis side o' Rochester, an' had to wait. Was you goin'
to stop at Schenectady, miss?"
_Miss G._, absently.--"At Schenectady?" After a pause, "Yes."
_Porter._--"Well, that's de next station, and den de cahs don't stop
ag'in till dey git to Albany. Anything else I can do for you now, miss?"
_Miss G._--"No, no, thank you, nothing." The porter hesitates, takes off
his cap, and scratches his head with a murmur of embarrassment. Miss
Galbraith looks up at him inquiringly, and then suddenly takes out her
porte-monnaie and fees him.
Public-domain text, read in full here on John Shaqi.
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