A Country Idyl, and Other StoriesBolton, Sarah Knowles
General
A Country Idyl, and Other Stories
Bolton, Sarah Knowles
United States -- Social life and customs -- 19th century -- Fiction
Yes, I think I have used the right word—“worship.” I walk a thousand
times past the house where she lives because she is there. I linger in
the pathways where she daily walks, with the feeling that her footsteps
have given them a special sacredness. I know well the seat in the
forest near here where she comes to read and look upon the distant
lake. Every friend of hers is nearer to me because her friend. The
graves, even, of her dear ones are precious to me. Every tree or flower
she has admired is fairer to me. The golden-rod of the fields I keep
ever in my study because she loves and gathers it. I have planted red
carnations in my garden because she delights to wear them. The autumn
leaves are exquisite to me because she paints them, and I recall the
sound of her feet among the rustling leaves with the same joy which
I feel in remembering the music of the priests of Notre Dame, or the
voices of the nuns of the Sacré Cœur in Rome, at sunset.
The moon, from new to full, has an added beauty because when Edith and
I are separated she speaks to us both the eternal language of love.
When I watch the clouds break over her majestic face I know that Edith
too enjoys the beauty of the scene.
The song of the robins among our trees is sweeter because Edith hears
it. The little stream that wanders near us and glides over the stones
at the foot of the hill in a white sheet of spray is a bond between us,
for we have both looked upon it. Edith’s name seems as musical to me as
the waterfall. I can fancy that it is graven upon my heart.
I know every change of her features,—she is almost always quiet,—and
her every word and act I have gone over and over in my mind ten
thousand times. We have read together, and I hope she loves me.
This companionship is so blessed that I dread to speak to her of
love—though my face must always tell it—lest, possibly, the dream be
dispelled, and I wake to the dreadful knowledge that she cannot be mine.
Do you know all these feelings, Ernest? Whatever you may think of me, I
have grown a nobler man through them. All womanhood is more sacred to
me. I can do work I never thought myself capable of before. It would
be a pleasure to work for Edith as long as I live. I am going to Europe
soon, and I must settle this matter. I will write you then.
Yours,
JOHN.
DEAR ERNEST: The scene has changed since I wrote you months ago. I am
at the foot of the Jungfrau, whose snowy top, gilded by the sun, is
ever a thing of beauty.
The day I dreaded has come and gone. I have told Edith all my heart,
and, alas! she is not mine. She was already half plighted to a young
naval officer, whom she met when she was away at school. I believe she
was fond of me, for our tastes are similar, but she has been the true
woman through it all.
I blame her? Never! I would not allow my heart to cherish such a
thought for a moment.
Public-domain text, read in full here on John Shaqi.
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