A Creature of the Night: An Italian Enigma — John Shaqi
A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
I was disappointed with the Duchess when she arrived, and I must say
that my majestic evil lady of the sepulchre looked far more like the
regal sister of Cæsar Borgia than this diminutive singer with the big
voice, who raged round the stage like a spitfire, and gave one no idea
of the terrible Medusa of Ferrara, whose smile was death to all,
lovers and friends alike. The tenor was a long individual, and
Lucrezia being so small, their duets, in point of physical appearance,
were sufficiently ridiculous; but as they sang well together, their
rendering of the characters, artistically speaking, was enjoyable. The
chorus entered and discovered Lucrezia with Genaro; the prima-donna
defied them all with the look and ways of a cross child; there was the
usual dramatic chorus, and the curtain fell on the prologue with but
slight applause. I did not go out, as I felt very comfortable, so
amused myself with looking round the house, when, during the first act
of the opera, two officers entered the theatre and took their seats in
front of mine; They were two gay young men, who talked a great deal
about one thing and another in such raised voices that I could hear
all they said, some of which was not particularly edifying.
During the first act which succeeds the prologue they were
comparatively quiet, but when Lucrezia entered in the second to sing
the celebrated duet with Alfonso, they were loud in their expressions
of disapproval concerning her appearance. The music of this part of
the opera is particularly loud and noisy, but even through the crash
of the orchestra I could hear their expressions of disapproval.
"The voice is not bad, but the appearance--the acting--oime!"
"Eh, Teodoro, what would you? Donna Lucrezia is not on the stage."
"Not on the stage!" said Teodoro in an astonished tone. "Ebbene! where
is she?"
"Look at the box yonder!"
"Per Bacco! the Contessa Morone."
I started as I heard this name, and, looking in the same direction as
the young men, saw a woman seated far back in the shadow of a box, the
fourth or fifth from the stage. She was talking to three gentlemen,
and her face was turned away so that I could not see her features;
but, judging from the glimpse I caught of her head and bust, she
seemed to be a very majestic woman.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account