A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
"Yes, but with another poison not of home manufacture. Eh! what would
you, Hugo, the Contessa was not going to be thwarted by a husband who
kept his laboratory locked. However, he tricked her over this
particular poison, for he either gave instructions that it was to be
put into his coffin without the knowledge of his dear wife, or he hid
it himself in the vault, as he hinted to me one day he intended to
do."
"There's no doubt then that the Contessa went to the vault for the
poison; but what about the antidote? Is it in your possession?"
"Unfortunately, no, mon ami. I was ordered away from Verona, and
gave back the antidote to the Count; but on my return here, I heard
casually that he had left a letter for me, to be delivered after his
death. I went to Rome, where the Contessa was one of the ornaments of
the Court, and asked for the letter. Of course she denied ever having
heard of it."
"And what do you think was in this letter?"
"Eh! ma foi, I believe it told me where the poison was hidden in the
vault, and that our dear Contessa found the letter, went to the vault
on the night you saw her and obtained the poison."
"Also the antidote?"
"Dame! I'm not so sure of that. I knew about the antidote so well that
I don't think Morone would have mentioned it in the letter, in case it
should meet the eye of his wife. No! No! mon ami! she has the poison,
of course; but the antidote, I believe it is still in the vault, where
we will look for it."
"For what reason?"
"Diamine! to revive this devil of a tenor who has had the misfortune
to take ten drops of the Signora Morone's mixture."
"But where is Pallanza?"
"All in good time, Hugo, all in good time. I must tell you the rest of
the story first."
"I am all impatience, Beltrami."
The Marchese, I saw, was enjoying this conversation, as the
subject-matter was of an involved and difficult character which
appealed to the subtleties of his Italian nature; and the chance of
playing a part in this intrigue, worthy of the Court of Lorenzo di
Medici, delighted him beyond measure. He was, as I have said before,
an anachronism, and this everyday, commonplace life of the nineteenth
century offered no field for the exercise of his cunning brain and
delicate diplomacy, which revelled in those bizarre complications,
full of sophistry and double meanings, which distinguished the
intricate statecraft of the Italian republics.
Public-domain text, read in full here on John Shaqi.
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