A Creature of the Night: An Italian EnigmaHume, Fergus
Philosophy
A Creature of the Night: An Italian Enigma
Hume, Fergus
British -- Italy -- Fiction; Mystery fiction
"You wonder," continued the Marchese reflectively; "you wonder, no
doubt, after hearing my opinions about the Contessa Morone, that I
should care to marry her; but, as I told you before, there are
reasons. I am poor, she is rich, and I marry her for her money. This
is brutal is it not? but then you see I look at the matter from a
Latin point of view, you from an English. As Euclid---whom, by the
way, I always hated--says, 'Two parallel straight lines cannot meet,'
it is no use our arguing over this point, as neither of us would
convince the other. It is a question of race, Hugo, nothing more.
Ebbene! my other reason is that I wish to tame this woman with the
heart of a tigress. I am wearied of the dulness of this present life,
and the task of fencing with Signora Morone will be a perpetual
excitement, particularly as I know it will not be unattended with
danger. This is also a question of race, and the theory of straight
lines applies, so again we will not argue; but you can see one thing
plainly, that I want to marry the Contessa?"
"Yes, I can see that, and I wonder at your daring."
"Straight lines, for the third time, Signor Hugo. Ebbene! Although I
wanted to marry the Contessa, she hating and detesting me with her
whole soul, as a friend of her late husband, would not listen to me at
all, so as she would not go to the altar willingly, I determined to
force her there. I made it my business to find out all about her life,
and a devil of a life it is, I can tell you. Pallanza is not the first
lover this daughter of Venus has smiled on."
"Oh!" I broke out in disgust, "how can you think of marrying this
infamous woman--a murderess, a poisoner, a fiend in human form?"
"Dio! I have given you my reasons, and you, straitlaced Englishman
that you are, cannot understand them. However, we will talk of this
again; meantime to continue. The Contessa was so madly in love with
Pallanza, who I grant you is a handsome fellow with a charming voice,
that I foresaw when he attempted to leave her there would be trouble.
I discovered that he was engaged to some Signorina of Milan, that she
was at Verona, and that Pallanza was going to sing at Verona; so when
he did arrive I was in nowise astonished at the appearance of Madame
Morone at the Ezzelino. Things were coming to a climax, so I watched
for the bursting of the storm. The rendezvous of these lovers would
be, I knew, at the deserted Palazzo Morone. How did I know? Mon cher
ami, you are simplicity itself. Have I not told you that I knew the
Contessa when she lived at Verona with her husband, and--and--well it
is not the first time she has used that palazzo and played at
Boccaccian stories in that room. You know she fancies herself like
Lucrezia Borgia, and tries to imitate those picturesque feasts to
which Ferrara's Duchess was so addicted--yes, even to the use of
poison. Dame! I thought I was at the opera when I saw that supper the
other night."
"How did you get into the palazzo?"
Public-domain text, read in full here on John Shaqi.
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