Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Nor was it the urge of passion that was now driving her forward at such
a rate. She could not help thinking that she had been rather silly in
her dreams about carpets and Nubians and those things. If Edgar was
passionate, very well--she would deny him nothing; but in that case she
would feel ever so slightly superior to Edgar. She rather wished that
that was not so; she hoped that after all it might not be so; on the
whole she would have preferred to be a little his inferior. She had not
been inferior to Cosimo. They, she and Cosimo, had talked a good deal
about equality, of course, but, after all, equality was a balance too
nice for the present stressful stage of the struggle between man and
woman; a theoretical equality if you liked, but in practice the thing
became a slight temporary feminine preponderance, which would, no doubt,
settle down in time. Virtually she had been Cosimo's master. She did not
want to be Edgar's. Rather than be that he might--her tired
sensibilities gave a brief flutter--he might even be a little cruel to
her if he wished....
A Tottenham Court Road bus was just starting from the bottom of Pond
Street. She ran to catch it. It moved forward again, with Amory sitting
inside it, between a man in a white muffler and opera-hat and a
flower-woman returning home with her empty baskets.
Many, many times Amory Pratt, abusing her fancy, had rehearsed the scene
to which she was now so smoothly and rapidly approaching; but she
rehearsed nothing now. It would suffice for her just to appear before
Edgar; no words would be necessary; he would instantly understand. Of
course (she reflected) he might have left the office when she got there;
it was even reasonably probable that he would have left; it was not a
press-night; twenty to one he would have left. But her thoughts went
forward again exactly as if she had not just told herself this.... He
would be there. She would go up to him and stand before him. As likely
as not not a word would pass between them. She felt that she had used
too many words in her life. She and her set had discussed subjects
simply out of existence. Often, by the time they had finished talking,
not one of them had known what they had been talking about. It had been
sheer dissipation. Men, she had heard, took drinks like that, and by and
by were unable to stand, and then made hideous exhibitions of
themselves. Nobody could say exactly at what point they, the men,
became incapable, nor the point at which the others, Amory and her set,
became word-sodden; in the one case the police (she had heard) made them
walk a chalk-line; but there was no chalk-line for the others. Their
paths were crooked as scribble....
But she was going straight at last--as straight as a pair of tram-lines
could take her--and so far was she from wishing that the tram would go
more slowly, that she would have hastened it had she been able.
Public-domain text, read in full here on John Shaqi.
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