The "Mother Shipton"--the Cobden Statue--Hampstead Road--the "Adam and Eve." At this last stopping-place she descended, crossed the road, and boarded a bus. She remembered that once before, when she had visited the office in a taxi, the cab had seemed to go at a terrifying speed; now the bus seemed to crawl. A fear took her that every stop might cause her to miss him by just a minute. She tapped with her foot. She looked almost angrily at those who got in or out. That flower-woman: why couldn't she have got out at the proper stopping-place, instead of upsetting everything with her baskets hardly a hundred yards further on?... Off again; she hoped to goodness that was the last delay. She had been stupid not to take a taxi after all. She descended opposite the "Horse Shoe," not three minutes' walk from the "Novum's" offices. Then again she called herself stupid for not having sat where she was, since the bus would go straight past the door. But she could be there as soon as the bus if she walked quickly.---- The bus overtook her and beat her by twenty yards. The bookseller's shutters were down, and in the window of the electric-fittings shop could be dimly seen a ventilating fan, a desk-lamp, and a switchboard or two. Amory turned in under the arch that led to the yard behind. Her eyes had gone up to the third floor almost before she had issued from the narrow alley---- Ah!... So she was not too late. There was a light. Through the ground-floor cavern in which the sandwich-boards were stacked she had for the first time to slacken her pace; the floor was uneven, and the place was crowded with dim shadows. A man smoking a pipe over an evening paper turned as she entered, but, seeing her make straight for the stairs, he did not ask her her business. The winding wooden staircase was black as a flue. On the first landing she paused for a moment; the man with the pipe had, after all, challenged her, "Who is it you want, Miss?" he called from below.... But he did not follow her. A vague light from the landing window showed her the second flight of wedge-shaped wooden steps. She mounted them, and gained the corridor hung with the specimens of the poster-artist's work. Ahead along the passage a narrow shaft of light crossed the floor. She gave one more look behind, for fear the man below had, after all, followed her; she was determined, but that did not mean that she necessarily wished to be seen.... Her life was her own, to do what she liked with. Nobody would give her another one.... And Edgar might be cruel if he wished.... For one instant longer she hesitated. Then she pushed softly at the door from which the beam of light came.