Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
Stan was quite right in supposing that the Cosimo Pratts wished to
forget all about the Ludlow experiment that had disturbed the Shropshire
country-side a year or more before, but he was wrong in the reason he
assigned them. They were not in the least ashamed of it. As a stage in
their intellectual development, the experiment had been entirely in its
place. Especially in Mrs. Pratt's career--as an old student of the
McGrath School of Art, a familiar (for a time) with Poverty in cheap
studios, the painter of the famous Feminist picture "Barrage," and so
forward--had this been true. Cosimo, in "The Life and Work of Miss Amory
Towers," a labour to which he devoted himself intermittently, pointed
out the naturalness and inevitability of the sequence with real
eloquence. Step had led to step, and the omission of any one step would
have ruined the whole.
But nobody with work still in them lingers long over the past. They had
dropped the task of regenerating rural England, or rather had handed it
over to others, only when it had been pointed out to them that capacity
so rare as theirs ought to be directed to larger ends. One evening
there had put in an appearance at one of the Ludlow meetings--a meeting
of the Hurdy-gurdy Octette, which afterwards gave instrumental
performances with such success at Letchworth, Bushey and Golder's
Green--Mr. Strong, the original founder and present editor of the "Novum
Organum," or, as it was usually called, the "Novum." Mr. Strong, as it
happened, was the man whom the scatter-brained Stan had met at The
Witan, and of whom he had expected that impossibility of any man
whomsoever--an admission that he did not know what he was talking about.
At that time Mr. Strong had been perambulating the country with a Van,
holding meetings and distributing literature; and whatever Mr. Strong's
other failings might have been, nobody had ever said of him that he did
not recognize a good thing when he saw it. The Cause itself had served
as an introduction between him and Cosimo; it had also been a sufficient
reason for his inviting himself to Cosimo's house for a couple of days
and remaining there for three weeks; and then he had got rid of the Van
and had come again. He was a rapturous talker, when there was an end to
be gained, and he had expressed himself as strongly of the opinion that,
magnificent a field for the sowing of the good seed as the country-side
was, there was simply stupendous propaganda to be done in London. He
knew (he had gone on) that Mrs. Pratt would forgive him (he had a
searching blue eye and an actor's smile) if he appeared for a moment to
speak disparagingly of what he might call the mere graces of the
Movement, (alluring as these were in Mrs. Pratt's capable and very
pretty hands); it was not disparagement really; he only meant that these
garlands would burgeon a hundred-fold if the stern and thankless work
was got out of the way first. Mr. Strong had a valuable trick of
Public-domain text, read in full here on John Shaqi.
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