Man-woman relationships -- Fiction; Marriage -- Fiction; Women -- Social and moral questions -- Fiction
It was an odd little hall in which she sat. It appeared to be an
approach to the studio of which the electric bell gave notice, for it
was continued by a narrower passage that led to a garden at the back;
and either the studio "properties" were gradually thrusting the hatstand
and hall table out of the fan-lighted front door, or else these latter
ordinary and necessary objects were fighting as it were for admission.
Thus, the chair on which Lady Tasker sat was of oak, but it had a
Faust-like look; beyond it stood a glass-fronted cupboard of
bric-à-brac, with a trophy of Abyssinian armour hanging over it; and the
whole of the wall facing Lady Tasker was hung with a tapestry which, if
it had been the only one of its kind in existence, would no doubt have
been very valuable. And two other objects not commonly to be seen in
ordinary halls were there. One of these stood on the narrow gilt console
table next to Lady Tasker's cup of tea. It was a plaster cast, taken
from the life, of a female foot. The other hung on the wall above it.
This also was a plaster cast, of the whole of a female arm and shoulder,
ending with a portion of the side of the neck and the entire breast--of
its kind an exquisite specimen. Many artists make or buy such things,
but Brucciani has nothing half so beautiful.
It was as Lady Tasker finished her tea that her gaze fell on the two
casts. Half negligently she raised her glass and inspected, first the
foot, and then the other piece. It is probable that her first remark,
uttered in a casual undertone to the air about her, was prompted by mere
association of ideas; it was "Hm! I wonder if Mrs. Pratt nursed those
twins herself!" Any other reflection that might have followed it was cut
short by a sudden darkening of the doorway by which she had entered.
Mrs. Pratt stood there. Lady Tasker had been wrong. She _had_ come to
ask if she felt better. She did ask her, gathering up long swathes of
some newly unpacked white material she carried over her arm as she did
so.
"Sorry you were done up," she remarked. "Won't you have some more tea?"
Already Lady Tasker was rising.--"No more, thank you.--I was just
looking at these. What are they?" She indicated the casts.
The gesture that Mrs. Pratt gave she could probably no more have helped
giving than an eye can help winking when it is threatened with a blow.
Within one mistletoe-white sleeve an arm moved ever so slightly; very
likely a foot also moved within a curiously-toed Saxon-looking white
slipper; and she gave a confused and conscious and apologetic little
laugh.
"Oh, those silly things!" she said deprecatingly. "I really must move
them. But the studio is so full.... Do you know, it's a most horrid
feeling having them done--first the cold plaster poured on, and then,
when they take it off again--the mould--you know----"
Lady Tasker plainly did not understand. Perhaps she did not yet even
apprehend.--"But--but--," she said, "they're from a statue, aren't
they?"
Public-domain text, read in full here on John Shaqi.
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