Are there not respirations, circulations of blood, plays of muscle which are hostile to us, thanks, probably, to that indefinable instinct of life which impels two animals of different species to rend each other as soon as they come face to face? Truth to tell, the antipathy of the delicate Hubert was capable of being more simply explained on the ground of an unconscious and sudden jealousy of Madame de Sauve's husband; for Theresa, as her husband familiarly called her, had immediately exercised a sort of irresistible attraction upon the young man. In his childhood he had often turned over a portfolio of engravings brought back from Italy by his illustrious grandfather, who had served under Bonaparte, and at the first glance that fell upon this woman, he could not help recalling the heads drawn by the masters of the Lombardic school, so striking was the resemblance between her face and those of the familiar Herodiases and Madonnas of Luini and his pupils. There was the same full, broad forehead, the same large eyes charged with somewhat heavy eyelids, the same delicious oval at the lower part of the cheek terminating in an almost square chin, the same sinuosity of lips, the same delightful union of eyebrow to the rising of the nose, and over all these charming features, a suffusion, as it were, of gentleness, grace, and mystery. Madame de Sauve had further, the vigorous neck and broad shoulders of the women of the Lombardic school, as well as all the other tokens of a race at once refined and strong, with a slender waist and the hands and feet of a child. What marked her out from this traditional type was the colour of her hair, which was not red and gold but very black, and of her eyes, the mingled grey of which bordered upon green. The amber paleness of her complexion, as well as the languishing listlessness of all her movements, completed the singular character of her beauty. In the presence of this creature, it was impossible not to think of some portrait of past times, although she breathed youth with the purple of her mouth and the living fluid of her eyes, and although she was dressed in the fashion of the day, and wore a jacket fitting close to her figure. The skirt of her dress, made of an English material of a grey shade, her feet cased in laced boots, her little man's collar, her straight cravat, fastened with a diamond horseshoe pin, her Swede gloves, and her round hat, scarcely suggested the toilet of princesses of the sixteenth century; and yet she presented to the eye a finished model of Milanese beauty, even in this costume of Parisian elegance. By what mystery?