French fiction -- Translations into English; Love -- Fiction; Man-woman relationships -- Fiction
A prey to this strange confusion of ideas, he had, on that very first
evening on his return home, spoken of Theresa to his mother and his
grandmother, who were waiting for him, in terms which had necessarily
aroused the mistrust of the two women. He understood that now. But what
young man has ever begun to love without being hurried by the sweet
intoxication of the beginnings of a passion into confidences that were
irreparable, and too often deathful, to the future of his feelings?
In what manner and by what stage had this feeling entered into him? He
could not have told that. When once a man loves, does it not seem as
though he has always loved? Scenes were evoked, nevertheless, which
reminded Hubert of the insensible habituation which had led him to visit
Theresa several times a week. But had he not been gradually introduced
at her house to all her friends, and, as soon as he had left his card,
had he not found himself invited in all directions into that world which
he scarcely knew, and which was composed partly of high functionaries of
the fallen administration, partly of great manufacturers and political
financiers, and partly, again, of celebrated artists and wealthy
foreigners.
It formed a society free from constraint and full of luxury, pleasure
and life, but one the tone of which ought to have displeased the young
man, for he could not comprehend its qualities of elegance and
refinement, and he was very sensible of its terrible fault--the want of
silence, of moral life, and of long custom. Ah! he was not much
concerned with observations of this kind, occupied solely as he was to
know where he should perceive Madame de Sauve and her eyes. He called to
mind countless times at which he had met her--sometimes at her own
house, seated at the corner of her fireplace, towards the close of the
afternoon, and lost in one of her silent reveries; sometimes visiting in
full costume and smiling with her Herodias lips at conversations about
dresses or bonnets; sometimes in the front of a box at a theatre and
talking in undertones during an interval; sometimes in the tumult of the
street, dashing along behind her bright bay horse and bowing her head at
the window with a graceful movement.
Public-domain text, read in full here on John Shaqi.
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