"This is not Yoletta's portrait," he replied, "though it is very like
her;" and then, when I looked at him incredulously, he pointed to some
letters under the picture, saying: "Do you not see the name and date?"
Finding that I could not read the words, I hazarded the remark that it
was Yoletta's mother, perhaps.
"This portrait was painted four centuries ago," he said, with surprise
in his accent; and then he turned aside, thinking me, perhaps, a rather
dull and ignorant person.
I did not want him to go away with that impression, and remarked,
pointing to the statue I have spoken of: "I fancy I know very well who
that is--that is Europa."
"Europa? That is a name I never heard; I doubt that any one in the house
ever bore it." Then, with a half-puzzled smile, he added: "How could you
possibly know unless you were told? No, that is Mistrelde. It was
formerly the custom of the house for the Mother to ride on a white bull
at the harvest festival. Mistrelde was the last to observe it."
"Oh, I see," I returned lamely, though I didn't see at all. The
indifferent way in which he spoke of _centuries_ in connection with
this brilliant and apparently fresh-painted picture rather took me
aback.
Presently he condescended to say something more. Pointing to the marks
or characters which I could not read, he said: "You have seen the name
of Yoletta here, and that and the resemblance misled you. You must know
that there has always been a Yoletta in this house. This was the
daughter of Mistrelde, the Mother, who died young and left but eight
children; and when this work was made their portraits were placed on the
eight faces of the pedestal."
"Thanks for telling me," I said, wondering if it was all true, or only a
fantastic romance.
He then motioned me to follow him, and we quitted that room where it had
been decided that we were not to sup.
Chapter 4
We came to a large portico-like place open on three sides to the air,
the roof being supported by slender columns. We were now on the opposite
side of the house and looked upon the river, which was not more than a
couple of hundred yards from the terrace or platform on which it stood.
The ground here sloped rapidly to the banks, and, like that in the
front, was a wilderness with rock and patches of tall fern and thickets
of thorn and bramble, with a few trees of great size. Nor was wild life
wanting in this natural park; some deer were feeding near the bank,
while on the water numbers of wild duck and other water-fowl were
disporting themselves, splashing and flapping over the surface and
uttering shrill cries.
The people of the house were already assembled, standing and sitting by
the small tables. There was a lively hum of conversation, which ceased
on my entrance; then those who were sitting stood up and the whole
company fixed its eyes on me, which was rather disconcerting.
Public-domain text, read in full here on John Shaqi.
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