"Oh yes, with pleasure," said I. There being no music about, and no
piano, I concluded naturally that my friends amused themselves with solo
songs without accompaniment of an evening, and having a good tenor voice
I was not unwilling to lead off with a song. Clearing my rusty throat
with a _ghrr-ghrr-hram_ which made them all jump, I launched forth
with the "Vicar of Bray"--a grand old song and a great favorite of mine.
They all started when I commenced, exchanging glances, and casting
astonished looks towards me; but it was getting so dusky in the room
that I could not feel sure that my eyes were not deceiving me. Presently
some that were near me began retiring to distant seats, and this
distressed me so that it made me hoarse, and my singing became very bad
indeed; but still I thought it best to go bravely on to the end.
Suddenly the old gentleman, who had been staring wildly at me for some
time, drew up his long yellow robe and wrapped it round his face and
head. I glanced at Yoletta, sitting at some distance, and saw that she
was holding her hands pressed to her ears.
I thought it about time to leave off then, and stopping abruptly in the
middle of the fourth stanza I sat down, feeling extremely hot and
uncomfortable. I was almost choking, and unable to utter a word. But
there was no word for me to utter: it was, of course, for them to thank
me for singing, or to say something; but not a word was spoken. Yoletta
dropped her hands and resumed her work, while the old man slowly emerged
with a somewhat frightened look from the wrappings; and then the long
dead silence becoming unendurable, I remarked that I feared my singing
was not to their taste. No reply was made; only the father, putting out
one of his hands, touched a handle or key near him, whereupon one of the
brass globes began slowly revolving. A low murmur of sound arose, and
seemed to pass like a wave through the room, dying away in the distance,
soon to be succeeded by another, and then another, each marked by an
increase of power; and often as this solemn sound died away, faint
flute-like notes were heard as if approaching, but still at a great
distance, and in the ensuing wave of sound from the great globes they
would cease to be distinguishable. Still the mysterious coming sounds
continued at intervals to grow louder and clearer, joined by other tones
as they progressed, now altogether bursting out in joyous chorus, then
one purest liquid note soaring bird-like alone, but whether from voices
or wind-instruments I was unable to tell, until the whole air about me
was filled and palpitating with the strange, exquisite harmony, which
passed onwards, the tones growing fewer and fainter by degrees until
they almost died out of hearing in the opposite direction. That all were
now taking part in the performance I became convinced by watching in
turn different individuals, some of them having small, curiously-shaped
instruments in their hands, but there was a blending of voices and a
Public-domain text, read in full here on John Shaqi.
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