It was what is called a literary and theatrical club, the Scufflers. It
was literary in so far that the majority of its members lay down at
night with unrealised dreams of authorship. It was theatrical to the
extent that many a one was the possessor of an unacted drama coiled up
in his breast coat-pocket, and was to be seen surging about managers'
doors, only waiting the glance of favour to fall upon author and
manuscript. Nor was this literary impulsion entirely without
fruit-bearing. Scufflers had been known to rush breathlessly into the
club-room at the approach of midnight, and in an excited and panting
condition have been heard to sing out for pens and paper, as the morning
press would wait for no man. Personally the accomplishments of the
members were many and varied. The great _primus_ and leader of the club
was a man who was alleged to dash off a leading article, take a hand at
whist, and tackle a dish of kidneys at one and the same time.
We must now be supposed to have reached the entrance of the hostelry,
for indeed it was a Covent Garden tavern and nothing more.
We commence to grope our way along the mouldering, unlit passage that
gives access to the one apartment tenanted by the club, in which their
cheerful deliberations are now proceeding. Time cannot efface the
memory of that green-baize door at the end of this passage, where we
were very properly brought to a stand on that first evening of our
initiation. Never shall we forget how momentous seemed the issues that
were depending in that inner chamber, as the announcement that there was
a "stranger at the gates" was evidently being briskly canvassed there.
To have the unquestioned privilege of passing and repassing that mystic
portal, the barrier as it seemed between all the rhapsody and the syntax
of this weary world, promised to be one of those pleasures that would
well-nigh be imperishable.
Public-domain text, read in full here on John Shaqi.
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